Artist book trilogy — Jennifer Marshall
Published 6 April 2025
A decade long collaboration between artist Jennifer Marshall and writer Janet Upcher has concluded triumphantly with the launch of Turning – the final instalment in their Artist Book trilogy.
Turning, a collection of prints by Jennifer and poems by Janet, is their third Artist book about the four elements: earth, wind, fire and air. Meticulously hand-crafted, it is a work of art. Pages are hand-sewn by an artisan book binder, the paper is cotton, and the poems handwritten. Only six copies exist.
Artist books are rare treasures. Jennifer produced her first in 1977 and all are held in private and public collections, “Artist books are compelling in their intimacy. We engage with them, touching the paper and turning pages. It’s a personal connection,” Jennifer explains.
The first in the trilogy, Quaternity, introduces the four elements. Book two, Turbulence, warns of chaos, but in Turning we look to the future with hope. Expressed so eloquently in Jennifer’s cover profile of Janus, the Roman god of beginnings, and the words of Janet:
“When wars rage and woes of the world weigh on you and wear you down
Let sunlight in the garden release you from the shadows…”
The Artist book trilogy by Jennifer Marshall and Janet Upcher is in the Rare Book collection of the Tasmanian Museum and Art Gallery and is available to purchase through Handmark. Please contact the Gallery for further information.
Alex White — Shelter
Published 6 April 2025
Printmaker Alex White is a relatively new Handmark discovery. And his second outing for the Gallery is another homage to Tasmania’s iconic mountain huts.
Last April Alex had two works in the Emerging Artist Exhibition. One year later, 16 of his striking black and white prints are being showcased in his Shelter exhibition. “This is beyond all my expectations,” he says. “Again, I am inspired by the old high-country huts that provided shelter to hunters, stockmen and trekkers.”
Most of Alex’s huts are in the ruggedly remote Central Highlands. But in this exhibition, he also ventures closer to home, to Sama Hut on Mt Wellington/Kunyani, “a very unusual ‘A’ frame structure clad in corrugated iron, which according to local legend was carted up from Glenorchy.”
In another work, Alex takes us inside Sama Hut where a kettle, frypans and an old billy hang above an old stone fireplace immediately enveloping us with a feeling of comfort and safety. “These shelters are part of our history, but just a few remain. I am on a mission to document as many as I can before they are lost forever.”
Alex’s Shelter opens at Handmark this Friday 4 April at 5pm and continues until 27 April.
Image credit: Alex White, Sama Hut II, 2025, linocut, edition of 8, 40 x 32 cm
Olivia Moroney — Komorebi
Published 6 April 2025
The Southern Midlands is Olivia Moroney’s artistic playground, and the exhibition of new prints and drawings revisits this landscape with a dramatic boldness. Her inspiration – Komorebi.
There is no English equivalent. Komorebi is a Japanese word describing the interplay of light through leaves on a tree. “After spending time at an artist’s workshop in Japan, I was passionate about capturing Tasmania’s strong light,” Olivia tells us. She does this brilliantly in a series of dry-point print tree profiles. Summer’s sun casts long dark shadows. These diffuse on winter’s arrival.
A monochromatic palette and pared-back forms, brings the stark beauty of the landscape around Olivia’s family farm at Jericho, to life. In the charcoal and gouache drawing, The Last Light of the Day, a dramatic shard of light pierces the countryside, while a subtle softness falls over the land in Morning Blaze.
Komorebi takes us on a powerful journey. We glimpse familiar scenes in Artist Books as Olivia drives across her beloved Midlands. “All the roads are different. Where are we going? Where will we end up? But as we continue nothing is more captivating than the beautiful light.”
Olivia’s Komorebi opens at Handmark this Friday 4 April at 5pm and continues until 27 April.
Image credit: Olivia Moroney, The last light of the day, 2025, gouache and charcoal on paper, 70 x 89 cm
Kaye Green — Book Collaboration
Published 4 March 2025
Handmark printmaker, Kaye Green, was honoured to provide the artwork for The Ancients, a book by acclaimed Tasmanian nature writer, Andrew Darby.
The Ancients takes us on an odyssey across wild Tasmania to discover the world’s oldest trees, and Kaye was the perfect choice for the illustrations. In terms of subject, nothing has consumed her artistic life as much as trees: “They capture me. Trees seem to call me,” she explains.
Kaye’s beautiful lithographs include gnarled pencil pines bent low by howling winds, a primeval King Billy, and most memorably, the rare King’s Lomatia. “This tree is so impossible to find, I couldn’t track down any photos to work from. Instead, I used a sapling from the Botanical Gardens as my guide.”
“My collaboration with Andrew was a match made in heaven. It was one of the most amazing experiences of my career. The chance to work with such a committed and wonderful author was a once-in-a-lifetime experience.”
The Ancients will be launched at Fullers Bookstore in Hobart on March 3, with an exhibition of Kaye’s work, including the limited edition lithographs featured in the book.
Vika Fifita — Memories and Marks
Published 4 March 2025
Much has happened in the two years since Vika’s last Handmark exhibition – motherhood, marriage, and moving state. These life-changing events are gloriously captured with vivid splashes of colour in Vika’s collection of new paintings.
Her one-year-old daughter, Hannah, is the star of Vika’s Memories and Marks exhibition. In One and Only the joy of Hannah’s birthday is infectious. “It also honours my husband Zaher who is a great dad, which is why I painted them together,” Vika explains. It’s a Monet, named after Hannah’s middle name, “is the first painting I did after her birth and it’s my favourite.”
Vika impresses with her bold neo expressive pop style inspired by Jean-Michel Basquiat. “I am intimidated by black and white and always gravitate towards vibrant colours.” Snippets of text reveal deeply personal emotions. “These paintings document my personal transformation.”
She recently moved to Brisbane, but home is always nearby. Thinking of Tasmania is Vika’s homage to teenage memories of “summers swimming and sunbaking at Launceston’s Gorge.”
Vika’s Memories and Marks exhibition is at Handmark Gallery from March 14 – 31.
Image: Vika Fifita, No olives only fear, 2024, Acrylic, ink, chalk on canvas, 87 x 87 cm
Glover Season — Landscape Exhibition | Michael McWilliams
Published 4 March 2025
Come March, art enthusiasts flock to Evandale for Glover Prize season, and Handmark has something very special.
Every year the prize honouring Tasmanian landscape artist, John Glover, draws crowds to historic Evandale. Handmark joins the action with the annual Celebrating our Landscape Exhibition held at the Clarendon Arms Hotel.
This exhibition coincides with Glover Season and showcases 36 wonderful landscapes by Handmark artists, including Luke Wagner, a finalist in this year’s prize. And, just by visiting the exhibition and voting, you are in the running to win $500 in our People’s Choice Award.
Glover festivities then move to Launceston, where Handmark celebrates much-loved landscape painter and the first Glover winner, Michael McWilliams. He is being honoured with a beautiful concert by the Flinders Quartet, and the location is perfect: It will be set among Michael McWilliam’s extraordinary exhibition ‘Gentle Protagonist’ at QVMAG.
Handmark’s Concert is on March 16 at QVMAG, Launceston. Book tickets through Eventbrite.
Handmark presents the Flinders Quartet at QVMAG to celebrate Michael McWilliams
Published 19 February 2025
Handmark Gallery celebrates artist Michael McWilliams, with an intimate concert by the acclaimed Flinders Quartet set amongst his extraordinary exhibition ‘Gentle Protagonist’ at the Queen Victoria Museum and Art Gallery in Launceston.
Michael McWilliam’s survey of 100 works at QVMAG recognises the extraordinary contribution he has made to the Australian art world. As one of Tasmania’s most loved artists, his distinctive and quirky landscapes, are also imbued with a more serious undertone of the human impact on our natural environment.
Flinders Quartet:
Elizabeth Sellars, Wilma Smith, Violins, Helen Ireland, Viola and Zoe Knighton, Cello.
Program:
Fanny Mendelssohn – String Quartet No.1 in E flat Major (1st movement)
Deborah Cheetham Fraillon – “Bungaree”
Dvorak – String Quartet No.14 in A flat Op.105
Why not view the Glover Prize along with Handmark’s Annual Landscape Exhibition at the Clarendon Arms in Evandale, and then join us for this special concert on Sunday 16 March, at 2pm. Tickets are limited and available through Eventbrite for $80 (inclusive of booking fee).
Inaugural Event — Handmark Concert Series
Published 2 February 2025
The captivating paintings of Alex Wanders, on show for his Gleanings exhibition, will be the perfect backdrop for our first event.
A long-held dream of Handmark Director Allanah Dopson becomes reality on February 20: “Art and music talk so beautifully to each other,” she says. “We are about to present our first of four concerts, and to mark the occasion, join us for the premiere of Dean Stevenson’s String Quartet No. 1, The Monster and the Lake.”
Composer, pianist, singer and bass player – the formidable and enigmatic Dean Stevenson is recognised as an integral part of Tasmania’s cultural and musical scene. Churchill Fellow, and with a Masters from the Tasmanian Conservatorium of Music, Dean is more recently known for his daily ‘installations’ at MONA. Starting each morning with a piano and blank paper, he composes a new work. At 4pm a string quartet arrives to play it. “I have done this for 405 days, and The Monster and the Lake draws on this experience,” Dean explains. “It is about the fear of the unknown. In my case, the fear of confronting that empty sheet of paper day in and day out”
Dean will be joined at Handmark Gallery by musicians Miranda Carson, Phoebe Masel (violins), Caleb Wright (viola) and Nicholas McManus (cello). But, for a change, he won’t be performing. “No. I will be sitting down and enjoying the music with a glass of wine in my hand.”
The first Handmark Concert will be held on Thursday February 20, at 6pm. Tickets are limited and available through Eventbrite for $20.
Upcoming Exhibition | Alex Wanders ― ‘Gleanings’
Published 2 February 2025
Expect the unexpected. Hobart based artist, Alex Wanders, takes the familiar and adds a sprinkle of ambiguity and mystery in his enigmatic exhibition of new works, Gleanings.
Scenes from Hobart adorn the canvas. But with a twist. Mount Wellington/kunanyi is presented on a table, as a still-life, in Moon under the Mountain. A gleaming sphere rises from below. “I take the familiar and make it unfamiliar,” he tells us. “Gleaning subject matter from my local environment, I place the everyday in dislocated locations.”
In Davey Street an unassuming art deco house catches the eye of Alex. It too is served up as a feast on a table. “There is a suggestion that what is in front of our eyes may not be as straightforward as we think. Like every artist, I bring my own set of thoughts and beliefs about what I see in the landscape.”
Alex employs a modernist style with dramatic shadowing, and in Gleanings he expands his artistic journey from the mid-century architectural structures that dominated previous paintings. His net is cast wider, both in scale and subject matter. Paintings range from large to small, and there is even a beautiful series of still life flowers. Again, with a twist. “Shadows add a darker side to the beauty of the flowers.
Alex Wanders solo exhibition, Gleanings, runs at Handmark from February 14 until March 10. Join us for his Artist Talk at the Gallery on February 16 at 2 pm.
In Loving Memory – Sally Curry
Published 2 January 2025
Dear Friends,
Our dear artist and friend, Sally Curry passed away peacefully on Friday last week, 22 November, in the loving care of her two daughters, Rowan and Jess.
Reflecting on this wonderful woman whom I have had the honour to know for the last 18 years, she has brought so much joy to so many through her art.
Sally was a gentle but strong and independent woman and sculpted the most wonderfully diverse figures out of earthenware clay, building each figure by hand.
The figures, many of which were woman, were mediative, alive to the world of nature, to dreaming and myth-making.
Sally also believed in the sanctity of our planet and her work often highlighted “causes” like bleaching of our barrier reef or the plight of refugees.
There were also Forest Creatures, Pan, dancing lovers, angels, a series of readers, but mainly beautiful women with luscious hair and brightly coloured dresses.
Her artistry was inspirational. As soon as her sculptures found our window display, clients, tourists, and passers-by would be lured into Handmark to purchase or register interest in Sally’s work.
Sally had a friend drop the last of her sculptures to us just last week.
One was called “Universal” and it struck a chord for me. This beautiful Sally Curry “lady” with her dark sculptured hair and painted dress will stay above the counter at Handmark and look over our staff, artists and clients. We will be reminded of Sally, her strength, her gentleness and her artistry on a daily basis.
Go in peace Sally. You will be very missed but your work will continue to bring enormous joy to many.
Allanah Dopson
Director