June Newsletter

Published 18 June 2026

In celebration of Dark Mofo, Handmark’s window displays have been transformed into a gothic extravaganza of red and black, courtesy of Handmark’s exhibition manager Fiona Tabart.

They also feature Dark Mofo inspired new works by two of our wonderful artists: glowing burl boxes crafted by Mark Bishop and vocal jewellery from Linda van Niekerk.

Meantime, Dark Mofo celebrations continue with our fabulous Nathan Grey exhibition, As It Is, opening Friday 19th June 5pm – 6:30pm. Nathan’s beautifully pared back paintings of the female form feature in this wonderfully eclectic show.

Hope you can join us.

Allanah Dopson
Director

upcoming exhibition — nathan grey – as it is

Published 18 June 2026

It’s his most eclectic show ever. Nathan Grey’s latest solo exhibition, As It Is, is a testament not only to his expansive artistic talent, but also his enduring belief in ‘art for art’s sake’.
About to turn 40, Nathan staged his first solo Handmark exhibition at the tender age of 24. Now, with more than a dozen exhibitions behind him, his artistic philosophy is clearer than ever. “I am a creative person, and I like creating nice things that look good. It’s as simple as that,” he says. Nathan achieves this in spades.

This collection of new works ranges from the striking hero piece: a large oil on linen celebrating the Year of the Horse that is alive with Prussian Blue, his new favourite colour. “This was an experiment. Something new,” Nathan explains. There are also delicate ink drawings and beautifully carved wooden bowls. The heart of the exhibition, however, returns to Nathan’s favourite subject: the human form.

Nathan’s figurative works depict real-life subjects. Painted onto plywood, the natural timber becomes part of the composition, lending an earthy warmth and beauty. “I believe in minimal mark-making and always pare back my paintings as much as possible, just enough for the viewer to understand the image. I keep it as simple as possible.”

Nathan Grey’s exhibition, As It Is, opens at Handmark on June 19, 2026 and runs until July 13, 2026.

vocal jewellery — linda van niekerk

Published 18 June 2026

Stunningly dramatic. Provocative yet playful. Tinged with humour. The jewellery of Linda van Niekerk always makes a bold statement, and her latest collection – released to coincide with Dark Mofo – is no exception.

MONA’s Elektra exhibition was Linda’s inspiration. “MONA always has something to say, and Elektra prompted me to vent at a world gone mad. Feelings of helplessness, hopelessness and anger at the status quo in almost every aspect of life,” Linda tells us. But she also adds a cheeky sense of humour. “I am really poking a bit of fun at all the insanity!” Protest with a smile.

Linda calls her collection Graffiti Pieces. Imagine long striking neckpieces in sterling silver, much of it anodised to dramatic effect. But look closely, and hidden messages emerge in bent metal: W.T.F, SOS and No, No, No. There are also pins that can be worn alone or added to create a personalised statement. “Have a good rage, vent your feelings with the help of vocal jewellery. It’s worth a try!”

But, if the angst is too much, Linda provides an antidote with calming amber. Neckpieces replete with chunks of ancient African amber: “Amber is thought to soothe anxiety, promote calm and positive energy, and support emotional balance. But it looks great as well.”

timber treasures — mark bishop – burl boxes

Published 18 June 2026

New timber boxes by Mark Bishop, one of Tasmania’s most celebrated furniture makers, are treasures to last a lifetime. But this collection also evokes imagery of Dark Mofo: glowing embers, blackened fire pits and the quiet drama of scorched timber.

These are works of art. Golden lids of twisted burl set upon blackened plinth-like containers. “Finding burl is like unearthing a diamond. Only one in a million trees has it,” Mark explains. Burl is a small tumour-like growth that forms on a tree when it is distressed. “Ironically, the prettiest timber comes from the ugliest trees. Trees that are contorted and twisted have the most interesting patterns, and I am honouring that disfigurement.”

The burl lids, with their extraordinary patterns shaped by nature, come from Mallee trees. The containers are crafted from scorched eucalyptus. “I burn the timber with an LPG gas burner, and the line between a wonderful finish and ash is very fine indeed!”

“Making boxes is an interesting exercise, and for this collection I have produced varying shapes and sizes with specific uses in mind. The long, narrow boxes are ideal for A4 documents, while the big square boxes are perfect for a bottle of whisky!”

May Newsletter

Published 18 May 2026

Our small island bristles with artistic talent, and we just unearthed another gem – abstract painter, Wilhelmina Burnell.

Wilhelmina, has just joined Handmark, bringing canvases that burst with colour and whimsy. Her work will feature in our Affordable Art Exhibition which opens this Friday.
All your favourite Handmark artists will feature in this exhibition where every work is priced under $5,000. To date, there are over 80 works!!!
That includes landscape painter, Luke Wagner, who has just been announced as a finalist in the Hadley’s Art Prize. Congratulations, Luke.

Take care, best regards
Allanah Dopson
Director

affordable art — handmark artists

Published 18 May 2026

ART is within reach. Handmark’s Affordable Art Exhibition brings together a curated collection of works by leading Handmark artists – with every piece priced under $5,000. From striking landscapes to contemporary abstraction, the exhibition offers something special for both new and established collectors.
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “This showing offers a wonderful opportunity for first-time buyers to begin their collection, while also giving seasoned collectors the chance to acquire artworks by emerging talent, or perhaps a piece by some of the island’s most respected artists.”
And, just in case any further incentive is needed, almost all works will be eligible for the Government’s Art Collect Scheme …
with the exception of a couple of our artists who live interstate or overseas.
If you have a business, the Australian Government is still offering 100% tax write-off on art purchases up to $20,000 – creating a compelling opportunity to invest in art.

Handmark’s Affordable Art Exhibition will run from May 22 to June 15.

new artist — wilhelmina burnell – joyful abstraction

Published 18 May 2026

Bright, bold and playful. The whimsical abstract paintings of emerging artist Wilhelmina Burnell, who has just joined Handmark, explode with joy. They also reflect her other great love – the waterways of lutruwita/Tasmania.

After just two weeks in this world, Wilhelmina took her first boating trip and has been on – or under – the water ever since. “When I go boating with my husband and children, I do a lot of plein air which feeds into my paintings which I would describe as bold expressive landscapes. They are full of soul, with hidden treasures that reveal themselves the longer you look,” Wilhelmina explains.

Back in her home studio, underwater worlds flow from Wilhelmina’s brush. In Watergarden, the oil painting she will showcase in Handmark’s Affordable Art Exhibition, colour, movement and flowing flower-like forms hint at sea anemone and coral, drawing us into a paradise. Perhaps underwater. Perhaps imagined. “I want the viewer to make up their own story.”

But it is Wilhelmina’s colour that stands out above all else: “It’s the lifeblood of my paintings. I think about colour all the time. Let’s just say – my house is not all white!” With an artist mother, Wilhelmina grew up surrounded by creativity, and life as an artist was always her guiding star. Joining Handmark marks the next chapter in her story. “I am just over the moon.”

Accessible Art   —  Affordable Art Exhibition

Published 30 April 2026

Beautiful art is within reach. Make a diary note for Handmark’s Affordable Art Exhibition which showcases a curated selection of works by leading artists – and each priced under $5,000.
 
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “The Affordable Art Exhibition presents the ideal opportunity for anyone wishing to buy the first piece of art for their collection. This is the perfect chance to secure an original work by one of Tasmania’s top artists.”
 
All your favourite Handmark artists – including Junko Go, David Edgar, Peter Gouldthorpe, John Lendis, Sebastian Galloway and Luke Wagner – will be taking part in the exhibition. And in most cases, they will be presenting new works that have been created especially for the show.
 
You will also be delighted to know that every work purchased will be eligible for the Government’s Art Collect Scheme. In addition, the Tax Department is still giving a 100% write-off to any business who buys art to the value of $7,500. This creates a compelling moment to invest in art. Or, at the least take the chance to view the catalogue and see what’s on offer!
 
Handmark’s Affordable Art exhibition will run at the Gallery from May 22 until June 15.

rodney alexander – diaphanous

Published 30 April 2026

The beauty of Bach weaves through the luminous new paintings in Rodney Alexander’s Diaphanous exhibition – his first Handmark showing.
 
In Bach’s Partita, the delicate sounds of a solo violin float through the air. This is Rodney’s touchstone – but he replaces notes with layer upon layer of gossamer form, seemingly suspended in space. Set against an inky backdrop, these take on an otherworld luminosity: “I’m chasing the effect of light filtering through silk, or perhaps a petal. That soft, shifting glow as it bends around delicate forms,” Rodney explains.
 
The striking Tessuto, is one of Rodney’s large-scale oils on linen. Whisper-thin material in vibrant rainbow tones, billows in the ether. Three months in the making, the detail is extraordinary. But it’s the illumination that truly defines Rodney’s work. He uses translucent oil glazes, layering fine veils of colour so that light can penetrate and scatter between them.
 
A professional musician before turning his talents to art, it’s no surprise that Rodney brings a quiet lyricism to his practice. “Bach’s genius was creating the illusion of harmony within a single melodic line. This inspired me to create the illusion of three dimensions – even though I am only working on a two-dimensional surface.”
 
Rodney Alexander’s Diaphanous exhibition opens at Handmark on May 1 and runs until May 18

Artist’s Book Award  —  Olivia Moroney – Midlands Marvel

Published 30 April 2026

At just 34, Handmark artist Olivia Moroney has achieved a lifelong ambition: to have work in a prestigious Victorian collection alongside her heroine, pioneering printmaker, Jessica Traill.
 
“I just screamed,” Olivia says, recalling the moment she heard the news. Her artist’s book, 12 Months in the Midlands, had just been awarded the Fire Station Print Prize for Craftsmanship. And, most thrillingly, it has been acquired by the State Library of Victoria for a collection that includes works by Jessica Traill, one of Australia’s most significant print makers. “I am blown away that my artist’s book will be in the same room as works by Jessica.”
 
Olivia’s concertina artist’s book features drypoint etchings of 12 trees captured over the course of a year on her family property in the Southern Midlands. Rendered in black, the prints trace the seasonal rhythms. Each page holds a single tree as the months move from “winter’s starkness into spring’s promise, a dry and dusty summer and autumn’s turn of leaves.”
 
The judges praised Olivia’s work for its quiet, yet powerful, narrative: “A meditation in the form of trees across time, which is revealed as the concertina pages slowly turn.”

June Newsletter

Published 18 June 2026

In celebration of Dark Mofo, Handmark’s window displays have been transformed into a gothic extravaganza of red and black, courtesy of Handmark’s exhibition manager Fiona Tabart.

They also feature Dark Mofo inspired new works by two of our wonderful artists: glowing burl boxes crafted by Mark Bishop and vocal jewellery from Linda van Niekerk.

Meantime, Dark Mofo celebrations continue with our fabulous Nathan Grey exhibition, As It Is, opening Friday 19th June 5pm – 6:30pm. Nathan’s beautifully pared back paintings of the female form feature in this wonderfully eclectic show.

Hope you can join us.

Allanah Dopson
Director

upcoming exhibition — nathan grey – as it is

Published 18 June 2026

It’s his most eclectic show ever. Nathan Grey’s latest solo exhibition, As It Is, is a testament not only to his expansive artistic talent, but also his enduring belief in ‘art for art’s sake’.
About to turn 40, Nathan staged his first solo Handmark exhibition at the tender age of 24. Now, with more than a dozen exhibitions behind him, his artistic philosophy is clearer than ever. “I am a creative person, and I like creating nice things that look good. It’s as simple as that,” he says. Nathan achieves this in spades.

This collection of new works ranges from the striking hero piece: a large oil on linen celebrating the Year of the Horse that is alive with Prussian Blue, his new favourite colour. “This was an experiment. Something new,” Nathan explains. There are also delicate ink drawings and beautifully carved wooden bowls. The heart of the exhibition, however, returns to Nathan’s favourite subject: the human form.

Nathan’s figurative works depict real-life subjects. Painted onto plywood, the natural timber becomes part of the composition, lending an earthy warmth and beauty. “I believe in minimal mark-making and always pare back my paintings as much as possible, just enough for the viewer to understand the image. I keep it as simple as possible.”

Nathan Grey’s exhibition, As It Is, opens at Handmark on June 19, 2026 and runs until July 13, 2026.

vocal jewellery — linda van niekerk

Published 18 June 2026

Stunningly dramatic. Provocative yet playful. Tinged with humour. The jewellery of Linda van Niekerk always makes a bold statement, and her latest collection – released to coincide with Dark Mofo – is no exception.

MONA’s Elektra exhibition was Linda’s inspiration. “MONA always has something to say, and Elektra prompted me to vent at a world gone mad. Feelings of helplessness, hopelessness and anger at the status quo in almost every aspect of life,” Linda tells us. But she also adds a cheeky sense of humour. “I am really poking a bit of fun at all the insanity!” Protest with a smile.

Linda calls her collection Graffiti Pieces. Imagine long striking neckpieces in sterling silver, much of it anodised to dramatic effect. But look closely, and hidden messages emerge in bent metal: W.T.F, SOS and No, No, No. There are also pins that can be worn alone or added to create a personalised statement. “Have a good rage, vent your feelings with the help of vocal jewellery. It’s worth a try!”

But, if the angst is too much, Linda provides an antidote with calming amber. Neckpieces replete with chunks of ancient African amber: “Amber is thought to soothe anxiety, promote calm and positive energy, and support emotional balance. But it looks great as well.”

timber treasures — mark bishop – burl boxes

Published 18 June 2026

New timber boxes by Mark Bishop, one of Tasmania’s most celebrated furniture makers, are treasures to last a lifetime. But this collection also evokes imagery of Dark Mofo: glowing embers, blackened fire pits and the quiet drama of scorched timber.

These are works of art. Golden lids of twisted burl set upon blackened plinth-like containers. “Finding burl is like unearthing a diamond. Only one in a million trees has it,” Mark explains. Burl is a small tumour-like growth that forms on a tree when it is distressed. “Ironically, the prettiest timber comes from the ugliest trees. Trees that are contorted and twisted have the most interesting patterns, and I am honouring that disfigurement.”

The burl lids, with their extraordinary patterns shaped by nature, come from Mallee trees. The containers are crafted from scorched eucalyptus. “I burn the timber with an LPG gas burner, and the line between a wonderful finish and ash is very fine indeed!”

“Making boxes is an interesting exercise, and for this collection I have produced varying shapes and sizes with specific uses in mind. The long, narrow boxes are ideal for A4 documents, while the big square boxes are perfect for a bottle of whisky!”

May Newsletter

Published 18 May 2026

Our small island bristles with artistic talent, and we just unearthed another gem – abstract painter, Wilhelmina Burnell.

Wilhelmina, has just joined Handmark, bringing canvases that burst with colour and whimsy. Her work will feature in our Affordable Art Exhibition which opens this Friday.
All your favourite Handmark artists will feature in this exhibition where every work is priced under $5,000. To date, there are over 80 works!!!
That includes landscape painter, Luke Wagner, who has just been announced as a finalist in the Hadley’s Art Prize. Congratulations, Luke.

Take care, best regards
Allanah Dopson
Director

affordable art — handmark artists

Published 18 May 2026

ART is within reach. Handmark’s Affordable Art Exhibition brings together a curated collection of works by leading Handmark artists – with every piece priced under $5,000. From striking landscapes to contemporary abstraction, the exhibition offers something special for both new and established collectors.
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “This showing offers a wonderful opportunity for first-time buyers to begin their collection, while also giving seasoned collectors the chance to acquire artworks by emerging talent, or perhaps a piece by some of the island’s most respected artists.”
And, just in case any further incentive is needed, almost all works will be eligible for the Government’s Art Collect Scheme …
with the exception of a couple of our artists who live interstate or overseas.
If you have a business, the Australian Government is still offering 100% tax write-off on art purchases up to $20,000 – creating a compelling opportunity to invest in art.

Handmark’s Affordable Art Exhibition will run from May 22 to June 15.

new artist — wilhelmina burnell – joyful abstraction

Published 18 May 2026

Bright, bold and playful. The whimsical abstract paintings of emerging artist Wilhelmina Burnell, who has just joined Handmark, explode with joy. They also reflect her other great love – the waterways of lutruwita/Tasmania.

After just two weeks in this world, Wilhelmina took her first boating trip and has been on – or under – the water ever since. “When I go boating with my husband and children, I do a lot of plein air which feeds into my paintings which I would describe as bold expressive landscapes. They are full of soul, with hidden treasures that reveal themselves the longer you look,” Wilhelmina explains.

Back in her home studio, underwater worlds flow from Wilhelmina’s brush. In Watergarden, the oil painting she will showcase in Handmark’s Affordable Art Exhibition, colour, movement and flowing flower-like forms hint at sea anemone and coral, drawing us into a paradise. Perhaps underwater. Perhaps imagined. “I want the viewer to make up their own story.”

But it is Wilhelmina’s colour that stands out above all else: “It’s the lifeblood of my paintings. I think about colour all the time. Let’s just say – my house is not all white!” With an artist mother, Wilhelmina grew up surrounded by creativity, and life as an artist was always her guiding star. Joining Handmark marks the next chapter in her story. “I am just over the moon.”

Accessible Art   —  Affordable Art Exhibition

Published 30 April 2026

Beautiful art is within reach. Make a diary note for Handmark’s Affordable Art Exhibition which showcases a curated selection of works by leading artists – and each priced under $5,000.
 
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “The Affordable Art Exhibition presents the ideal opportunity for anyone wishing to buy the first piece of art for their collection. This is the perfect chance to secure an original work by one of Tasmania’s top artists.”
 
All your favourite Handmark artists – including Junko Go, David Edgar, Peter Gouldthorpe, John Lendis, Sebastian Galloway and Luke Wagner – will be taking part in the exhibition. And in most cases, they will be presenting new works that have been created especially for the show.
 
You will also be delighted to know that every work purchased will be eligible for the Government’s Art Collect Scheme. In addition, the Tax Department is still giving a 100% write-off to any business who buys art to the value of $7,500. This creates a compelling moment to invest in art. Or, at the least take the chance to view the catalogue and see what’s on offer!
 
Handmark’s Affordable Art exhibition will run at the Gallery from May 22 until June 15.

rodney alexander – diaphanous

Published 30 April 2026

The beauty of Bach weaves through the luminous new paintings in Rodney Alexander’s Diaphanous exhibition – his first Handmark showing.
 
In Bach’s Partita, the delicate sounds of a solo violin float through the air. This is Rodney’s touchstone – but he replaces notes with layer upon layer of gossamer form, seemingly suspended in space. Set against an inky backdrop, these take on an otherworld luminosity: “I’m chasing the effect of light filtering through silk, or perhaps a petal. That soft, shifting glow as it bends around delicate forms,” Rodney explains.
 
The striking Tessuto, is one of Rodney’s large-scale oils on linen. Whisper-thin material in vibrant rainbow tones, billows in the ether. Three months in the making, the detail is extraordinary. But it’s the illumination that truly defines Rodney’s work. He uses translucent oil glazes, layering fine veils of colour so that light can penetrate and scatter between them.
 
A professional musician before turning his talents to art, it’s no surprise that Rodney brings a quiet lyricism to his practice. “Bach’s genius was creating the illusion of harmony within a single melodic line. This inspired me to create the illusion of three dimensions – even though I am only working on a two-dimensional surface.”
 
Rodney Alexander’s Diaphanous exhibition opens at Handmark on May 1 and runs until May 18

Artist’s Book Award  —  Olivia Moroney – Midlands Marvel

Published 30 April 2026

At just 34, Handmark artist Olivia Moroney has achieved a lifelong ambition: to have work in a prestigious Victorian collection alongside her heroine, pioneering printmaker, Jessica Traill.
 
“I just screamed,” Olivia says, recalling the moment she heard the news. Her artist’s book, 12 Months in the Midlands, had just been awarded the Fire Station Print Prize for Craftsmanship. And, most thrillingly, it has been acquired by the State Library of Victoria for a collection that includes works by Jessica Traill, one of Australia’s most significant print makers. “I am blown away that my artist’s book will be in the same room as works by Jessica.”
 
Olivia’s concertina artist’s book features drypoint etchings of 12 trees captured over the course of a year on her family property in the Southern Midlands. Rendered in black, the prints trace the seasonal rhythms. Each page holds a single tree as the months move from “winter’s starkness into spring’s promise, a dry and dusty summer and autumn’s turn of leaves.”
 
The judges praised Olivia’s work for its quiet, yet powerful, narrative: “A meditation in the form of trees across time, which is revealed as the concertina pages slowly turn.”

June Newsletter

Published 18 June 2026

In celebration of Dark Mofo, Handmark’s window displays have been transformed into a gothic extravaganza of red and black, courtesy of Handmark’s exhibition manager Fiona Tabart.

They also feature Dark Mofo inspired new works by two of our wonderful artists: glowing burl boxes crafted by Mark Bishop and vocal jewellery from Linda van Niekerk.

Meantime, Dark Mofo celebrations continue with our fabulous Nathan Grey exhibition, As It Is, opening Friday 19th June 5pm – 6:30pm. Nathan’s beautifully pared back paintings of the female form feature in this wonderfully eclectic show.

Hope you can join us.

Allanah Dopson
Director

upcoming exhibition — nathan grey – as it is

Published 18 June 2026

It’s his most eclectic show ever. Nathan Grey’s latest solo exhibition, As It Is, is a testament not only to his expansive artistic talent, but also his enduring belief in ‘art for art’s sake’.
About to turn 40, Nathan staged his first solo Handmark exhibition at the tender age of 24. Now, with more than a dozen exhibitions behind him, his artistic philosophy is clearer than ever. “I am a creative person, and I like creating nice things that look good. It’s as simple as that,” he says. Nathan achieves this in spades.

This collection of new works ranges from the striking hero piece: a large oil on linen celebrating the Year of the Horse that is alive with Prussian Blue, his new favourite colour. “This was an experiment. Something new,” Nathan explains. There are also delicate ink drawings and beautifully carved wooden bowls. The heart of the exhibition, however, returns to Nathan’s favourite subject: the human form.

Nathan’s figurative works depict real-life subjects. Painted onto plywood, the natural timber becomes part of the composition, lending an earthy warmth and beauty. “I believe in minimal mark-making and always pare back my paintings as much as possible, just enough for the viewer to understand the image. I keep it as simple as possible.”

Nathan Grey’s exhibition, As It Is, opens at Handmark on June 19, 2026 and runs until July 13, 2026.

vocal jewellery — linda van niekerk

Published 18 June 2026

Stunningly dramatic. Provocative yet playful. Tinged with humour. The jewellery of Linda van Niekerk always makes a bold statement, and her latest collection – released to coincide with Dark Mofo – is no exception.

MONA’s Elektra exhibition was Linda’s inspiration. “MONA always has something to say, and Elektra prompted me to vent at a world gone mad. Feelings of helplessness, hopelessness and anger at the status quo in almost every aspect of life,” Linda tells us. But she also adds a cheeky sense of humour. “I am really poking a bit of fun at all the insanity!” Protest with a smile.

Linda calls her collection Graffiti Pieces. Imagine long striking neckpieces in sterling silver, much of it anodised to dramatic effect. But look closely, and hidden messages emerge in bent metal: W.T.F, SOS and No, No, No. There are also pins that can be worn alone or added to create a personalised statement. “Have a good rage, vent your feelings with the help of vocal jewellery. It’s worth a try!”

But, if the angst is too much, Linda provides an antidote with calming amber. Neckpieces replete with chunks of ancient African amber: “Amber is thought to soothe anxiety, promote calm and positive energy, and support emotional balance. But it looks great as well.”

timber treasures — mark bishop – burl boxes

Published 18 June 2026

New timber boxes by Mark Bishop, one of Tasmania’s most celebrated furniture makers, are treasures to last a lifetime. But this collection also evokes imagery of Dark Mofo: glowing embers, blackened fire pits and the quiet drama of scorched timber.

These are works of art. Golden lids of twisted burl set upon blackened plinth-like containers. “Finding burl is like unearthing a diamond. Only one in a million trees has it,” Mark explains. Burl is a small tumour-like growth that forms on a tree when it is distressed. “Ironically, the prettiest timber comes from the ugliest trees. Trees that are contorted and twisted have the most interesting patterns, and I am honouring that disfigurement.”

The burl lids, with their extraordinary patterns shaped by nature, come from Mallee trees. The containers are crafted from scorched eucalyptus. “I burn the timber with an LPG gas burner, and the line between a wonderful finish and ash is very fine indeed!”

“Making boxes is an interesting exercise, and for this collection I have produced varying shapes and sizes with specific uses in mind. The long, narrow boxes are ideal for A4 documents, while the big square boxes are perfect for a bottle of whisky!”

May Newsletter

Published 18 May 2026

Our small island bristles with artistic talent, and we just unearthed another gem – abstract painter, Wilhelmina Burnell.

Wilhelmina, has just joined Handmark, bringing canvases that burst with colour and whimsy. Her work will feature in our Affordable Art Exhibition which opens this Friday.
All your favourite Handmark artists will feature in this exhibition where every work is priced under $5,000. To date, there are over 80 works!!!
That includes landscape painter, Luke Wagner, who has just been announced as a finalist in the Hadley’s Art Prize. Congratulations, Luke.

Take care, best regards
Allanah Dopson
Director

affordable art — handmark artists

Published 18 May 2026

ART is within reach. Handmark’s Affordable Art Exhibition brings together a curated collection of works by leading Handmark artists – with every piece priced under $5,000. From striking landscapes to contemporary abstraction, the exhibition offers something special for both new and established collectors.
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “This showing offers a wonderful opportunity for first-time buyers to begin their collection, while also giving seasoned collectors the chance to acquire artworks by emerging talent, or perhaps a piece by some of the island’s most respected artists.”
And, just in case any further incentive is needed, almost all works will be eligible for the Government’s Art Collect Scheme …
with the exception of a couple of our artists who live interstate or overseas.
If you have a business, the Australian Government is still offering 100% tax write-off on art purchases up to $20,000 – creating a compelling opportunity to invest in art.

Handmark’s Affordable Art Exhibition will run from May 22 to June 15.

new artist — wilhelmina burnell – joyful abstraction

Published 18 May 2026

Bright, bold and playful. The whimsical abstract paintings of emerging artist Wilhelmina Burnell, who has just joined Handmark, explode with joy. They also reflect her other great love – the waterways of lutruwita/Tasmania.

After just two weeks in this world, Wilhelmina took her first boating trip and has been on – or under – the water ever since. “When I go boating with my husband and children, I do a lot of plein air which feeds into my paintings which I would describe as bold expressive landscapes. They are full of soul, with hidden treasures that reveal themselves the longer you look,” Wilhelmina explains.

Back in her home studio, underwater worlds flow from Wilhelmina’s brush. In Watergarden, the oil painting she will showcase in Handmark’s Affordable Art Exhibition, colour, movement and flowing flower-like forms hint at sea anemone and coral, drawing us into a paradise. Perhaps underwater. Perhaps imagined. “I want the viewer to make up their own story.”

But it is Wilhelmina’s colour that stands out above all else: “It’s the lifeblood of my paintings. I think about colour all the time. Let’s just say – my house is not all white!” With an artist mother, Wilhelmina grew up surrounded by creativity, and life as an artist was always her guiding star. Joining Handmark marks the next chapter in her story. “I am just over the moon.”

Accessible Art   —  Affordable Art Exhibition

Published 30 April 2026

Beautiful art is within reach. Make a diary note for Handmark’s Affordable Art Exhibition which showcases a curated selection of works by leading artists – and each priced under $5,000.
 
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “The Affordable Art Exhibition presents the ideal opportunity for anyone wishing to buy the first piece of art for their collection. This is the perfect chance to secure an original work by one of Tasmania’s top artists.”
 
All your favourite Handmark artists – including Junko Go, David Edgar, Peter Gouldthorpe, John Lendis, Sebastian Galloway and Luke Wagner – will be taking part in the exhibition. And in most cases, they will be presenting new works that have been created especially for the show.
 
You will also be delighted to know that every work purchased will be eligible for the Government’s Art Collect Scheme. In addition, the Tax Department is still giving a 100% write-off to any business who buys art to the value of $7,500. This creates a compelling moment to invest in art. Or, at the least take the chance to view the catalogue and see what’s on offer!
 
Handmark’s Affordable Art exhibition will run at the Gallery from May 22 until June 15.

rodney alexander – diaphanous

Published 30 April 2026

The beauty of Bach weaves through the luminous new paintings in Rodney Alexander’s Diaphanous exhibition – his first Handmark showing.
 
In Bach’s Partita, the delicate sounds of a solo violin float through the air. This is Rodney’s touchstone – but he replaces notes with layer upon layer of gossamer form, seemingly suspended in space. Set against an inky backdrop, these take on an otherworld luminosity: “I’m chasing the effect of light filtering through silk, or perhaps a petal. That soft, shifting glow as it bends around delicate forms,” Rodney explains.
 
The striking Tessuto, is one of Rodney’s large-scale oils on linen. Whisper-thin material in vibrant rainbow tones, billows in the ether. Three months in the making, the detail is extraordinary. But it’s the illumination that truly defines Rodney’s work. He uses translucent oil glazes, layering fine veils of colour so that light can penetrate and scatter between them.
 
A professional musician before turning his talents to art, it’s no surprise that Rodney brings a quiet lyricism to his practice. “Bach’s genius was creating the illusion of harmony within a single melodic line. This inspired me to create the illusion of three dimensions – even though I am only working on a two-dimensional surface.”
 
Rodney Alexander’s Diaphanous exhibition opens at Handmark on May 1 and runs until May 18

Artist’s Book Award  —  Olivia Moroney – Midlands Marvel

Published 30 April 2026

At just 34, Handmark artist Olivia Moroney has achieved a lifelong ambition: to have work in a prestigious Victorian collection alongside her heroine, pioneering printmaker, Jessica Traill.
 
“I just screamed,” Olivia says, recalling the moment she heard the news. Her artist’s book, 12 Months in the Midlands, had just been awarded the Fire Station Print Prize for Craftsmanship. And, most thrillingly, it has been acquired by the State Library of Victoria for a collection that includes works by Jessica Traill, one of Australia’s most significant print makers. “I am blown away that my artist’s book will be in the same room as works by Jessica.”
 
Olivia’s concertina artist’s book features drypoint etchings of 12 trees captured over the course of a year on her family property in the Southern Midlands. Rendered in black, the prints trace the seasonal rhythms. Each page holds a single tree as the months move from “winter’s starkness into spring’s promise, a dry and dusty summer and autumn’s turn of leaves.”
 
The judges praised Olivia’s work for its quiet, yet powerful, narrative: “A meditation in the form of trees across time, which is revealed as the concertina pages slowly turn.”

June Newsletter

Published 18 June 2026

In celebration of Dark Mofo, Handmark’s window displays have been transformed into a gothic extravaganza of red and black, courtesy of Handmark’s exhibition manager Fiona Tabart.

They also feature Dark Mofo inspired new works by two of our wonderful artists: glowing burl boxes crafted by Mark Bishop and vocal jewellery from Linda van Niekerk.

Meantime, Dark Mofo celebrations continue with our fabulous Nathan Grey exhibition, As It Is, opening Friday 19th June 5pm – 6:30pm. Nathan’s beautifully pared back paintings of the female form feature in this wonderfully eclectic show.

Hope you can join us.

Allanah Dopson
Director

upcoming exhibition — nathan grey – as it is

Published 18 June 2026

It’s his most eclectic show ever. Nathan Grey’s latest solo exhibition, As It Is, is a testament not only to his expansive artistic talent, but also his enduring belief in ‘art for art’s sake’.
About to turn 40, Nathan staged his first solo Handmark exhibition at the tender age of 24. Now, with more than a dozen exhibitions behind him, his artistic philosophy is clearer than ever. “I am a creative person, and I like creating nice things that look good. It’s as simple as that,” he says. Nathan achieves this in spades.

This collection of new works ranges from the striking hero piece: a large oil on linen celebrating the Year of the Horse that is alive with Prussian Blue, his new favourite colour. “This was an experiment. Something new,” Nathan explains. There are also delicate ink drawings and beautifully carved wooden bowls. The heart of the exhibition, however, returns to Nathan’s favourite subject: the human form.

Nathan’s figurative works depict real-life subjects. Painted onto plywood, the natural timber becomes part of the composition, lending an earthy warmth and beauty. “I believe in minimal mark-making and always pare back my paintings as much as possible, just enough for the viewer to understand the image. I keep it as simple as possible.”

Nathan Grey’s exhibition, As It Is, opens at Handmark on June 19, 2026 and runs until July 13, 2026.

vocal jewellery — linda van niekerk

Published 18 June 2026

Stunningly dramatic. Provocative yet playful. Tinged with humour. The jewellery of Linda van Niekerk always makes a bold statement, and her latest collection – released to coincide with Dark Mofo – is no exception.

MONA’s Elektra exhibition was Linda’s inspiration. “MONA always has something to say, and Elektra prompted me to vent at a world gone mad. Feelings of helplessness, hopelessness and anger at the status quo in almost every aspect of life,” Linda tells us. But she also adds a cheeky sense of humour. “I am really poking a bit of fun at all the insanity!” Protest with a smile.

Linda calls her collection Graffiti Pieces. Imagine long striking neckpieces in sterling silver, much of it anodised to dramatic effect. But look closely, and hidden messages emerge in bent metal: W.T.F, SOS and No, No, No. There are also pins that can be worn alone or added to create a personalised statement. “Have a good rage, vent your feelings with the help of vocal jewellery. It’s worth a try!”

But, if the angst is too much, Linda provides an antidote with calming amber. Neckpieces replete with chunks of ancient African amber: “Amber is thought to soothe anxiety, promote calm and positive energy, and support emotional balance. But it looks great as well.”

timber treasures — mark bishop – burl boxes

Published 18 June 2026

New timber boxes by Mark Bishop, one of Tasmania’s most celebrated furniture makers, are treasures to last a lifetime. But this collection also evokes imagery of Dark Mofo: glowing embers, blackened fire pits and the quiet drama of scorched timber.

These are works of art. Golden lids of twisted burl set upon blackened plinth-like containers. “Finding burl is like unearthing a diamond. Only one in a million trees has it,” Mark explains. Burl is a small tumour-like growth that forms on a tree when it is distressed. “Ironically, the prettiest timber comes from the ugliest trees. Trees that are contorted and twisted have the most interesting patterns, and I am honouring that disfigurement.”

The burl lids, with their extraordinary patterns shaped by nature, come from Mallee trees. The containers are crafted from scorched eucalyptus. “I burn the timber with an LPG gas burner, and the line between a wonderful finish and ash is very fine indeed!”

“Making boxes is an interesting exercise, and for this collection I have produced varying shapes and sizes with specific uses in mind. The long, narrow boxes are ideal for A4 documents, while the big square boxes are perfect for a bottle of whisky!”

May Newsletter

Published 18 May 2026

Our small island bristles with artistic talent, and we just unearthed another gem – abstract painter, Wilhelmina Burnell.

Wilhelmina, has just joined Handmark, bringing canvases that burst with colour and whimsy. Her work will feature in our Affordable Art Exhibition which opens this Friday.
All your favourite Handmark artists will feature in this exhibition where every work is priced under $5,000. To date, there are over 80 works!!!
That includes landscape painter, Luke Wagner, who has just been announced as a finalist in the Hadley’s Art Prize. Congratulations, Luke.

Take care, best regards
Allanah Dopson
Director

affordable art — handmark artists

Published 18 May 2026

ART is within reach. Handmark’s Affordable Art Exhibition brings together a curated collection of works by leading Handmark artists – with every piece priced under $5,000. From striking landscapes to contemporary abstraction, the exhibition offers something special for both new and established collectors.
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “This showing offers a wonderful opportunity for first-time buyers to begin their collection, while also giving seasoned collectors the chance to acquire artworks by emerging talent, or perhaps a piece by some of the island’s most respected artists.”
And, just in case any further incentive is needed, almost all works will be eligible for the Government’s Art Collect Scheme …
with the exception of a couple of our artists who live interstate or overseas.
If you have a business, the Australian Government is still offering 100% tax write-off on art purchases up to $20,000 – creating a compelling opportunity to invest in art.

Handmark’s Affordable Art Exhibition will run from May 22 to June 15.

new artist — wilhelmina burnell – joyful abstraction

Published 18 May 2026

Bright, bold and playful. The whimsical abstract paintings of emerging artist Wilhelmina Burnell, who has just joined Handmark, explode with joy. They also reflect her other great love – the waterways of lutruwita/Tasmania.

After just two weeks in this world, Wilhelmina took her first boating trip and has been on – or under – the water ever since. “When I go boating with my husband and children, I do a lot of plein air which feeds into my paintings which I would describe as bold expressive landscapes. They are full of soul, with hidden treasures that reveal themselves the longer you look,” Wilhelmina explains.

Back in her home studio, underwater worlds flow from Wilhelmina’s brush. In Watergarden, the oil painting she will showcase in Handmark’s Affordable Art Exhibition, colour, movement and flowing flower-like forms hint at sea anemone and coral, drawing us into a paradise. Perhaps underwater. Perhaps imagined. “I want the viewer to make up their own story.”

But it is Wilhelmina’s colour that stands out above all else: “It’s the lifeblood of my paintings. I think about colour all the time. Let’s just say – my house is not all white!” With an artist mother, Wilhelmina grew up surrounded by creativity, and life as an artist was always her guiding star. Joining Handmark marks the next chapter in her story. “I am just over the moon.”

Accessible Art   —  Affordable Art Exhibition

Published 30 April 2026

Beautiful art is within reach. Make a diary note for Handmark’s Affordable Art Exhibition which showcases a curated selection of works by leading artists – and each priced under $5,000.
 
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “The Affordable Art Exhibition presents the ideal opportunity for anyone wishing to buy the first piece of art for their collection. This is the perfect chance to secure an original work by one of Tasmania’s top artists.”
 
All your favourite Handmark artists – including Junko Go, David Edgar, Peter Gouldthorpe, John Lendis, Sebastian Galloway and Luke Wagner – will be taking part in the exhibition. And in most cases, they will be presenting new works that have been created especially for the show.
 
You will also be delighted to know that every work purchased will be eligible for the Government’s Art Collect Scheme. In addition, the Tax Department is still giving a 100% write-off to any business who buys art to the value of $7,500. This creates a compelling moment to invest in art. Or, at the least take the chance to view the catalogue and see what’s on offer!
 
Handmark’s Affordable Art exhibition will run at the Gallery from May 22 until June 15.

rodney alexander – diaphanous

Published 30 April 2026

The beauty of Bach weaves through the luminous new paintings in Rodney Alexander’s Diaphanous exhibition – his first Handmark showing.
 
In Bach’s Partita, the delicate sounds of a solo violin float through the air. This is Rodney’s touchstone – but he replaces notes with layer upon layer of gossamer form, seemingly suspended in space. Set against an inky backdrop, these take on an otherworld luminosity: “I’m chasing the effect of light filtering through silk, or perhaps a petal. That soft, shifting glow as it bends around delicate forms,” Rodney explains.
 
The striking Tessuto, is one of Rodney’s large-scale oils on linen. Whisper-thin material in vibrant rainbow tones, billows in the ether. Three months in the making, the detail is extraordinary. But it’s the illumination that truly defines Rodney’s work. He uses translucent oil glazes, layering fine veils of colour so that light can penetrate and scatter between them.
 
A professional musician before turning his talents to art, it’s no surprise that Rodney brings a quiet lyricism to his practice. “Bach’s genius was creating the illusion of harmony within a single melodic line. This inspired me to create the illusion of three dimensions – even though I am only working on a two-dimensional surface.”
 
Rodney Alexander’s Diaphanous exhibition opens at Handmark on May 1 and runs until May 18

Artist’s Book Award  —  Olivia Moroney – Midlands Marvel

Published 30 April 2026

At just 34, Handmark artist Olivia Moroney has achieved a lifelong ambition: to have work in a prestigious Victorian collection alongside her heroine, pioneering printmaker, Jessica Traill.
 
“I just screamed,” Olivia says, recalling the moment she heard the news. Her artist’s book, 12 Months in the Midlands, had just been awarded the Fire Station Print Prize for Craftsmanship. And, most thrillingly, it has been acquired by the State Library of Victoria for a collection that includes works by Jessica Traill, one of Australia’s most significant print makers. “I am blown away that my artist’s book will be in the same room as works by Jessica.”
 
Olivia’s concertina artist’s book features drypoint etchings of 12 trees captured over the course of a year on her family property in the Southern Midlands. Rendered in black, the prints trace the seasonal rhythms. Each page holds a single tree as the months move from “winter’s starkness into spring’s promise, a dry and dusty summer and autumn’s turn of leaves.”
 
The judges praised Olivia’s work for its quiet, yet powerful, narrative: “A meditation in the form of trees across time, which is revealed as the concertina pages slowly turn.”

June Newsletter

Published 18 June 2026

In celebration of Dark Mofo, Handmark’s window displays have been transformed into a gothic extravaganza of red and black, courtesy of Handmark’s exhibition manager Fiona Tabart.

They also feature Dark Mofo inspired new works by two of our wonderful artists: glowing burl boxes crafted by Mark Bishop and vocal jewellery from Linda van Niekerk.

Meantime, Dark Mofo celebrations continue with our fabulous Nathan Grey exhibition, As It Is, opening Friday 19th June 5pm – 6:30pm. Nathan’s beautifully pared back paintings of the female form feature in this wonderfully eclectic show.

Hope you can join us.

Allanah Dopson
Director

upcoming exhibition — nathan grey – as it is

Published 18 June 2026

It’s his most eclectic show ever. Nathan Grey’s latest solo exhibition, As It Is, is a testament not only to his expansive artistic talent, but also his enduring belief in ‘art for art’s sake’.
About to turn 40, Nathan staged his first solo Handmark exhibition at the tender age of 24. Now, with more than a dozen exhibitions behind him, his artistic philosophy is clearer than ever. “I am a creative person, and I like creating nice things that look good. It’s as simple as that,” he says. Nathan achieves this in spades.

This collection of new works ranges from the striking hero piece: a large oil on linen celebrating the Year of the Horse that is alive with Prussian Blue, his new favourite colour. “This was an experiment. Something new,” Nathan explains. There are also delicate ink drawings and beautifully carved wooden bowls. The heart of the exhibition, however, returns to Nathan’s favourite subject: the human form.

Nathan’s figurative works depict real-life subjects. Painted onto plywood, the natural timber becomes part of the composition, lending an earthy warmth and beauty. “I believe in minimal mark-making and always pare back my paintings as much as possible, just enough for the viewer to understand the image. I keep it as simple as possible.”

Nathan Grey’s exhibition, As It Is, opens at Handmark on June 19, 2026 and runs until July 13, 2026.

vocal jewellery — linda van niekerk

Published 18 June 2026

Stunningly dramatic. Provocative yet playful. Tinged with humour. The jewellery of Linda van Niekerk always makes a bold statement, and her latest collection – released to coincide with Dark Mofo – is no exception.

MONA’s Elektra exhibition was Linda’s inspiration. “MONA always has something to say, and Elektra prompted me to vent at a world gone mad. Feelings of helplessness, hopelessness and anger at the status quo in almost every aspect of life,” Linda tells us. But she also adds a cheeky sense of humour. “I am really poking a bit of fun at all the insanity!” Protest with a smile.

Linda calls her collection Graffiti Pieces. Imagine long striking neckpieces in sterling silver, much of it anodised to dramatic effect. But look closely, and hidden messages emerge in bent metal: W.T.F, SOS and No, No, No. There are also pins that can be worn alone or added to create a personalised statement. “Have a good rage, vent your feelings with the help of vocal jewellery. It’s worth a try!”

But, if the angst is too much, Linda provides an antidote with calming amber. Neckpieces replete with chunks of ancient African amber: “Amber is thought to soothe anxiety, promote calm and positive energy, and support emotional balance. But it looks great as well.”

timber treasures — mark bishop – burl boxes

Published 18 June 2026

New timber boxes by Mark Bishop, one of Tasmania’s most celebrated furniture makers, are treasures to last a lifetime. But this collection also evokes imagery of Dark Mofo: glowing embers, blackened fire pits and the quiet drama of scorched timber.

These are works of art. Golden lids of twisted burl set upon blackened plinth-like containers. “Finding burl is like unearthing a diamond. Only one in a million trees has it,” Mark explains. Burl is a small tumour-like growth that forms on a tree when it is distressed. “Ironically, the prettiest timber comes from the ugliest trees. Trees that are contorted and twisted have the most interesting patterns, and I am honouring that disfigurement.”

The burl lids, with their extraordinary patterns shaped by nature, come from Mallee trees. The containers are crafted from scorched eucalyptus. “I burn the timber with an LPG gas burner, and the line between a wonderful finish and ash is very fine indeed!”

“Making boxes is an interesting exercise, and for this collection I have produced varying shapes and sizes with specific uses in mind. The long, narrow boxes are ideal for A4 documents, while the big square boxes are perfect for a bottle of whisky!”

May Newsletter

Published 18 May 2026

Our small island bristles with artistic talent, and we just unearthed another gem – abstract painter, Wilhelmina Burnell.

Wilhelmina, has just joined Handmark, bringing canvases that burst with colour and whimsy. Her work will feature in our Affordable Art Exhibition which opens this Friday.
All your favourite Handmark artists will feature in this exhibition where every work is priced under $5,000. To date, there are over 80 works!!!
That includes landscape painter, Luke Wagner, who has just been announced as a finalist in the Hadley’s Art Prize. Congratulations, Luke.

Take care, best regards
Allanah Dopson
Director

affordable art — handmark artists

Published 18 May 2026

ART is within reach. Handmark’s Affordable Art Exhibition brings together a curated collection of works by leading Handmark artists – with every piece priced under $5,000. From striking landscapes to contemporary abstraction, the exhibition offers something special for both new and established collectors.
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “This showing offers a wonderful opportunity for first-time buyers to begin their collection, while also giving seasoned collectors the chance to acquire artworks by emerging talent, or perhaps a piece by some of the island’s most respected artists.”
And, just in case any further incentive is needed, almost all works will be eligible for the Government’s Art Collect Scheme …
with the exception of a couple of our artists who live interstate or overseas.
If you have a business, the Australian Government is still offering 100% tax write-off on art purchases up to $20,000 – creating a compelling opportunity to invest in art.

Handmark’s Affordable Art Exhibition will run from May 22 to June 15.

new artist — wilhelmina burnell – joyful abstraction

Published 18 May 2026

Bright, bold and playful. The whimsical abstract paintings of emerging artist Wilhelmina Burnell, who has just joined Handmark, explode with joy. They also reflect her other great love – the waterways of lutruwita/Tasmania.

After just two weeks in this world, Wilhelmina took her first boating trip and has been on – or under – the water ever since. “When I go boating with my husband and children, I do a lot of plein air which feeds into my paintings which I would describe as bold expressive landscapes. They are full of soul, with hidden treasures that reveal themselves the longer you look,” Wilhelmina explains.

Back in her home studio, underwater worlds flow from Wilhelmina’s brush. In Watergarden, the oil painting she will showcase in Handmark’s Affordable Art Exhibition, colour, movement and flowing flower-like forms hint at sea anemone and coral, drawing us into a paradise. Perhaps underwater. Perhaps imagined. “I want the viewer to make up their own story.”

But it is Wilhelmina’s colour that stands out above all else: “It’s the lifeblood of my paintings. I think about colour all the time. Let’s just say – my house is not all white!” With an artist mother, Wilhelmina grew up surrounded by creativity, and life as an artist was always her guiding star. Joining Handmark marks the next chapter in her story. “I am just over the moon.”

Accessible Art   —  Affordable Art Exhibition

Published 30 April 2026

Beautiful art is within reach. Make a diary note for Handmark’s Affordable Art Exhibition which showcases a curated selection of works by leading artists – and each priced under $5,000.
 
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “The Affordable Art Exhibition presents the ideal opportunity for anyone wishing to buy the first piece of art for their collection. This is the perfect chance to secure an original work by one of Tasmania’s top artists.”
 
All your favourite Handmark artists – including Junko Go, David Edgar, Peter Gouldthorpe, John Lendis, Sebastian Galloway and Luke Wagner – will be taking part in the exhibition. And in most cases, they will be presenting new works that have been created especially for the show.
 
You will also be delighted to know that every work purchased will be eligible for the Government’s Art Collect Scheme. In addition, the Tax Department is still giving a 100% write-off to any business who buys art to the value of $7,500. This creates a compelling moment to invest in art. Or, at the least take the chance to view the catalogue and see what’s on offer!
 
Handmark’s Affordable Art exhibition will run at the Gallery from May 22 until June 15.

rodney alexander – diaphanous

Published 30 April 2026

The beauty of Bach weaves through the luminous new paintings in Rodney Alexander’s Diaphanous exhibition – his first Handmark showing.
 
In Bach’s Partita, the delicate sounds of a solo violin float through the air. This is Rodney’s touchstone – but he replaces notes with layer upon layer of gossamer form, seemingly suspended in space. Set against an inky backdrop, these take on an otherworld luminosity: “I’m chasing the effect of light filtering through silk, or perhaps a petal. That soft, shifting glow as it bends around delicate forms,” Rodney explains.
 
The striking Tessuto, is one of Rodney’s large-scale oils on linen. Whisper-thin material in vibrant rainbow tones, billows in the ether. Three months in the making, the detail is extraordinary. But it’s the illumination that truly defines Rodney’s work. He uses translucent oil glazes, layering fine veils of colour so that light can penetrate and scatter between them.
 
A professional musician before turning his talents to art, it’s no surprise that Rodney brings a quiet lyricism to his practice. “Bach’s genius was creating the illusion of harmony within a single melodic line. This inspired me to create the illusion of three dimensions – even though I am only working on a two-dimensional surface.”
 
Rodney Alexander’s Diaphanous exhibition opens at Handmark on May 1 and runs until May 18

Artist’s Book Award  —  Olivia Moroney – Midlands Marvel

Published 30 April 2026

At just 34, Handmark artist Olivia Moroney has achieved a lifelong ambition: to have work in a prestigious Victorian collection alongside her heroine, pioneering printmaker, Jessica Traill.
 
“I just screamed,” Olivia says, recalling the moment she heard the news. Her artist’s book, 12 Months in the Midlands, had just been awarded the Fire Station Print Prize for Craftsmanship. And, most thrillingly, it has been acquired by the State Library of Victoria for a collection that includes works by Jessica Traill, one of Australia’s most significant print makers. “I am blown away that my artist’s book will be in the same room as works by Jessica.”
 
Olivia’s concertina artist’s book features drypoint etchings of 12 trees captured over the course of a year on her family property in the Southern Midlands. Rendered in black, the prints trace the seasonal rhythms. Each page holds a single tree as the months move from “winter’s starkness into spring’s promise, a dry and dusty summer and autumn’s turn of leaves.”
 
The judges praised Olivia’s work for its quiet, yet powerful, narrative: “A meditation in the form of trees across time, which is revealed as the concertina pages slowly turn.”

June Newsletter

Published 18 June 2026

In celebration of Dark Mofo, Handmark’s window displays have been transformed into a gothic extravaganza of red and black, courtesy of Handmark’s exhibition manager Fiona Tabart.

They also feature Dark Mofo inspired new works by two of our wonderful artists: glowing burl boxes crafted by Mark Bishop and vocal jewellery from Linda van Niekerk.

Meantime, Dark Mofo celebrations continue with our fabulous Nathan Grey exhibition, As It Is, opening Friday 19th June 5pm – 6:30pm. Nathan’s beautifully pared back paintings of the female form feature in this wonderfully eclectic show.

Hope you can join us.

Allanah Dopson
Director

upcoming exhibition — nathan grey – as it is

Published 18 June 2026

It’s his most eclectic show ever. Nathan Grey’s latest solo exhibition, As It Is, is a testament not only to his expansive artistic talent, but also his enduring belief in ‘art for art’s sake’.
About to turn 40, Nathan staged his first solo Handmark exhibition at the tender age of 24. Now, with more than a dozen exhibitions behind him, his artistic philosophy is clearer than ever. “I am a creative person, and I like creating nice things that look good. It’s as simple as that,” he says. Nathan achieves this in spades.

This collection of new works ranges from the striking hero piece: a large oil on linen celebrating the Year of the Horse that is alive with Prussian Blue, his new favourite colour. “This was an experiment. Something new,” Nathan explains. There are also delicate ink drawings and beautifully carved wooden bowls. The heart of the exhibition, however, returns to Nathan’s favourite subject: the human form.

Nathan’s figurative works depict real-life subjects. Painted onto plywood, the natural timber becomes part of the composition, lending an earthy warmth and beauty. “I believe in minimal mark-making and always pare back my paintings as much as possible, just enough for the viewer to understand the image. I keep it as simple as possible.”

Nathan Grey’s exhibition, As It Is, opens at Handmark on June 19, 2026 and runs until July 13, 2026.

vocal jewellery — linda van niekerk

Published 18 June 2026

Stunningly dramatic. Provocative yet playful. Tinged with humour. The jewellery of Linda van Niekerk always makes a bold statement, and her latest collection – released to coincide with Dark Mofo – is no exception.

MONA’s Elektra exhibition was Linda’s inspiration. “MONA always has something to say, and Elektra prompted me to vent at a world gone mad. Feelings of helplessness, hopelessness and anger at the status quo in almost every aspect of life,” Linda tells us. But she also adds a cheeky sense of humour. “I am really poking a bit of fun at all the insanity!” Protest with a smile.

Linda calls her collection Graffiti Pieces. Imagine long striking neckpieces in sterling silver, much of it anodised to dramatic effect. But look closely, and hidden messages emerge in bent metal: W.T.F, SOS and No, No, No. There are also pins that can be worn alone or added to create a personalised statement. “Have a good rage, vent your feelings with the help of vocal jewellery. It’s worth a try!”

But, if the angst is too much, Linda provides an antidote with calming amber. Neckpieces replete with chunks of ancient African amber: “Amber is thought to soothe anxiety, promote calm and positive energy, and support emotional balance. But it looks great as well.”

timber treasures — mark bishop – burl boxes

Published 18 June 2026

New timber boxes by Mark Bishop, one of Tasmania’s most celebrated furniture makers, are treasures to last a lifetime. But this collection also evokes imagery of Dark Mofo: glowing embers, blackened fire pits and the quiet drama of scorched timber.

These are works of art. Golden lids of twisted burl set upon blackened plinth-like containers. “Finding burl is like unearthing a diamond. Only one in a million trees has it,” Mark explains. Burl is a small tumour-like growth that forms on a tree when it is distressed. “Ironically, the prettiest timber comes from the ugliest trees. Trees that are contorted and twisted have the most interesting patterns, and I am honouring that disfigurement.”

The burl lids, with their extraordinary patterns shaped by nature, come from Mallee trees. The containers are crafted from scorched eucalyptus. “I burn the timber with an LPG gas burner, and the line between a wonderful finish and ash is very fine indeed!”

“Making boxes is an interesting exercise, and for this collection I have produced varying shapes and sizes with specific uses in mind. The long, narrow boxes are ideal for A4 documents, while the big square boxes are perfect for a bottle of whisky!”

May Newsletter

Published 18 May 2026

Our small island bristles with artistic talent, and we just unearthed another gem – abstract painter, Wilhelmina Burnell.

Wilhelmina, has just joined Handmark, bringing canvases that burst with colour and whimsy. Her work will feature in our Affordable Art Exhibition which opens this Friday.
All your favourite Handmark artists will feature in this exhibition where every work is priced under $5,000. To date, there are over 80 works!!!
That includes landscape painter, Luke Wagner, who has just been announced as a finalist in the Hadley’s Art Prize. Congratulations, Luke.

Take care, best regards
Allanah Dopson
Director

affordable art — handmark artists

Published 18 May 2026

ART is within reach. Handmark’s Affordable Art Exhibition brings together a curated collection of works by leading Handmark artists – with every piece priced under $5,000. From striking landscapes to contemporary abstraction, the exhibition offers something special for both new and established collectors.
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “This showing offers a wonderful opportunity for first-time buyers to begin their collection, while also giving seasoned collectors the chance to acquire artworks by emerging talent, or perhaps a piece by some of the island’s most respected artists.”
And, just in case any further incentive is needed, almost all works will be eligible for the Government’s Art Collect Scheme …
with the exception of a couple of our artists who live interstate or overseas.
If you have a business, the Australian Government is still offering 100% tax write-off on art purchases up to $20,000 – creating a compelling opportunity to invest in art.

Handmark’s Affordable Art Exhibition will run from May 22 to June 15.

new artist — wilhelmina burnell – joyful abstraction

Published 18 May 2026

Bright, bold and playful. The whimsical abstract paintings of emerging artist Wilhelmina Burnell, who has just joined Handmark, explode with joy. They also reflect her other great love – the waterways of lutruwita/Tasmania.

After just two weeks in this world, Wilhelmina took her first boating trip and has been on – or under – the water ever since. “When I go boating with my husband and children, I do a lot of plein air which feeds into my paintings which I would describe as bold expressive landscapes. They are full of soul, with hidden treasures that reveal themselves the longer you look,” Wilhelmina explains.

Back in her home studio, underwater worlds flow from Wilhelmina’s brush. In Watergarden, the oil painting she will showcase in Handmark’s Affordable Art Exhibition, colour, movement and flowing flower-like forms hint at sea anemone and coral, drawing us into a paradise. Perhaps underwater. Perhaps imagined. “I want the viewer to make up their own story.”

But it is Wilhelmina’s colour that stands out above all else: “It’s the lifeblood of my paintings. I think about colour all the time. Let’s just say – my house is not all white!” With an artist mother, Wilhelmina grew up surrounded by creativity, and life as an artist was always her guiding star. Joining Handmark marks the next chapter in her story. “I am just over the moon.”

Accessible Art   —  Affordable Art Exhibition

Published 30 April 2026

Beautiful art is within reach. Make a diary note for Handmark’s Affordable Art Exhibition which showcases a curated selection of works by leading artists – and each priced under $5,000.
 
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “The Affordable Art Exhibition presents the ideal opportunity for anyone wishing to buy the first piece of art for their collection. This is the perfect chance to secure an original work by one of Tasmania’s top artists.”
 
All your favourite Handmark artists – including Junko Go, David Edgar, Peter Gouldthorpe, John Lendis, Sebastian Galloway and Luke Wagner – will be taking part in the exhibition. And in most cases, they will be presenting new works that have been created especially for the show.
 
You will also be delighted to know that every work purchased will be eligible for the Government’s Art Collect Scheme. In addition, the Tax Department is still giving a 100% write-off to any business who buys art to the value of $7,500. This creates a compelling moment to invest in art. Or, at the least take the chance to view the catalogue and see what’s on offer!
 
Handmark’s Affordable Art exhibition will run at the Gallery from May 22 until June 15.

rodney alexander – diaphanous

Published 30 April 2026

The beauty of Bach weaves through the luminous new paintings in Rodney Alexander’s Diaphanous exhibition – his first Handmark showing.
 
In Bach’s Partita, the delicate sounds of a solo violin float through the air. This is Rodney’s touchstone – but he replaces notes with layer upon layer of gossamer form, seemingly suspended in space. Set against an inky backdrop, these take on an otherworld luminosity: “I’m chasing the effect of light filtering through silk, or perhaps a petal. That soft, shifting glow as it bends around delicate forms,” Rodney explains.
 
The striking Tessuto, is one of Rodney’s large-scale oils on linen. Whisper-thin material in vibrant rainbow tones, billows in the ether. Three months in the making, the detail is extraordinary. But it’s the illumination that truly defines Rodney’s work. He uses translucent oil glazes, layering fine veils of colour so that light can penetrate and scatter between them.
 
A professional musician before turning his talents to art, it’s no surprise that Rodney brings a quiet lyricism to his practice. “Bach’s genius was creating the illusion of harmony within a single melodic line. This inspired me to create the illusion of three dimensions – even though I am only working on a two-dimensional surface.”
 
Rodney Alexander’s Diaphanous exhibition opens at Handmark on May 1 and runs until May 18

Artist’s Book Award  —  Olivia Moroney – Midlands Marvel

Published 30 April 2026

At just 34, Handmark artist Olivia Moroney has achieved a lifelong ambition: to have work in a prestigious Victorian collection alongside her heroine, pioneering printmaker, Jessica Traill.
 
“I just screamed,” Olivia says, recalling the moment she heard the news. Her artist’s book, 12 Months in the Midlands, had just been awarded the Fire Station Print Prize for Craftsmanship. And, most thrillingly, it has been acquired by the State Library of Victoria for a collection that includes works by Jessica Traill, one of Australia’s most significant print makers. “I am blown away that my artist’s book will be in the same room as works by Jessica.”
 
Olivia’s concertina artist’s book features drypoint etchings of 12 trees captured over the course of a year on her family property in the Southern Midlands. Rendered in black, the prints trace the seasonal rhythms. Each page holds a single tree as the months move from “winter’s starkness into spring’s promise, a dry and dusty summer and autumn’s turn of leaves.”
 
The judges praised Olivia’s work for its quiet, yet powerful, narrative: “A meditation in the form of trees across time, which is revealed as the concertina pages slowly turn.”

June Newsletter

Published 18 June 2026

In celebration of Dark Mofo, Handmark’s window displays have been transformed into a gothic extravaganza of red and black, courtesy of Handmark’s exhibition manager Fiona Tabart.

They also feature Dark Mofo inspired new works by two of our wonderful artists: glowing burl boxes crafted by Mark Bishop and vocal jewellery from Linda van Niekerk.

Meantime, Dark Mofo celebrations continue with our fabulous Nathan Grey exhibition, As It Is, opening Friday 19th June 5pm – 6:30pm. Nathan’s beautifully pared back paintings of the female form feature in this wonderfully eclectic show.

Hope you can join us.

Allanah Dopson
Director

upcoming exhibition — nathan grey – as it is

Published 18 June 2026

It’s his most eclectic show ever. Nathan Grey’s latest solo exhibition, As It Is, is a testament not only to his expansive artistic talent, but also his enduring belief in ‘art for art’s sake’.
About to turn 40, Nathan staged his first solo Handmark exhibition at the tender age of 24. Now, with more than a dozen exhibitions behind him, his artistic philosophy is clearer than ever. “I am a creative person, and I like creating nice things that look good. It’s as simple as that,” he says. Nathan achieves this in spades.

This collection of new works ranges from the striking hero piece: a large oil on linen celebrating the Year of the Horse that is alive with Prussian Blue, his new favourite colour. “This was an experiment. Something new,” Nathan explains. There are also delicate ink drawings and beautifully carved wooden bowls. The heart of the exhibition, however, returns to Nathan’s favourite subject: the human form.

Nathan’s figurative works depict real-life subjects. Painted onto plywood, the natural timber becomes part of the composition, lending an earthy warmth and beauty. “I believe in minimal mark-making and always pare back my paintings as much as possible, just enough for the viewer to understand the image. I keep it as simple as possible.”

Nathan Grey’s exhibition, As It Is, opens at Handmark on June 19, 2026 and runs until July 13, 2026.

vocal jewellery — linda van niekerk

Published 18 June 2026

Stunningly dramatic. Provocative yet playful. Tinged with humour. The jewellery of Linda van Niekerk always makes a bold statement, and her latest collection – released to coincide with Dark Mofo – is no exception.

MONA’s Elektra exhibition was Linda’s inspiration. “MONA always has something to say, and Elektra prompted me to vent at a world gone mad. Feelings of helplessness, hopelessness and anger at the status quo in almost every aspect of life,” Linda tells us. But she also adds a cheeky sense of humour. “I am really poking a bit of fun at all the insanity!” Protest with a smile.

Linda calls her collection Graffiti Pieces. Imagine long striking neckpieces in sterling silver, much of it anodised to dramatic effect. But look closely, and hidden messages emerge in bent metal: W.T.F, SOS and No, No, No. There are also pins that can be worn alone or added to create a personalised statement. “Have a good rage, vent your feelings with the help of vocal jewellery. It’s worth a try!”

But, if the angst is too much, Linda provides an antidote with calming amber. Neckpieces replete with chunks of ancient African amber: “Amber is thought to soothe anxiety, promote calm and positive energy, and support emotional balance. But it looks great as well.”

timber treasures — mark bishop – burl boxes

Published 18 June 2026

New timber boxes by Mark Bishop, one of Tasmania’s most celebrated furniture makers, are treasures to last a lifetime. But this collection also evokes imagery of Dark Mofo: glowing embers, blackened fire pits and the quiet drama of scorched timber.

These are works of art. Golden lids of twisted burl set upon blackened plinth-like containers. “Finding burl is like unearthing a diamond. Only one in a million trees has it,” Mark explains. Burl is a small tumour-like growth that forms on a tree when it is distressed. “Ironically, the prettiest timber comes from the ugliest trees. Trees that are contorted and twisted have the most interesting patterns, and I am honouring that disfigurement.”

The burl lids, with their extraordinary patterns shaped by nature, come from Mallee trees. The containers are crafted from scorched eucalyptus. “I burn the timber with an LPG gas burner, and the line between a wonderful finish and ash is very fine indeed!”

“Making boxes is an interesting exercise, and for this collection I have produced varying shapes and sizes with specific uses in mind. The long, narrow boxes are ideal for A4 documents, while the big square boxes are perfect for a bottle of whisky!”

May Newsletter

Published 18 May 2026

Our small island bristles with artistic talent, and we just unearthed another gem – abstract painter, Wilhelmina Burnell.

Wilhelmina, has just joined Handmark, bringing canvases that burst with colour and whimsy. Her work will feature in our Affordable Art Exhibition which opens this Friday.
All your favourite Handmark artists will feature in this exhibition where every work is priced under $5,000. To date, there are over 80 works!!!
That includes landscape painter, Luke Wagner, who has just been announced as a finalist in the Hadley’s Art Prize. Congratulations, Luke.

Take care, best regards
Allanah Dopson
Director

affordable art — handmark artists

Published 18 May 2026

ART is within reach. Handmark’s Affordable Art Exhibition brings together a curated collection of works by leading Handmark artists – with every piece priced under $5,000. From striking landscapes to contemporary abstraction, the exhibition offers something special for both new and established collectors.
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “This showing offers a wonderful opportunity for first-time buyers to begin their collection, while also giving seasoned collectors the chance to acquire artworks by emerging talent, or perhaps a piece by some of the island’s most respected artists.”
And, just in case any further incentive is needed, almost all works will be eligible for the Government’s Art Collect Scheme …
with the exception of a couple of our artists who live interstate or overseas.
If you have a business, the Australian Government is still offering 100% tax write-off on art purchases up to $20,000 – creating a compelling opportunity to invest in art.

Handmark’s Affordable Art Exhibition will run from May 22 to June 15.

new artist — wilhelmina burnell – joyful abstraction

Published 18 May 2026

Bright, bold and playful. The whimsical abstract paintings of emerging artist Wilhelmina Burnell, who has just joined Handmark, explode with joy. They also reflect her other great love – the waterways of lutruwita/Tasmania.

After just two weeks in this world, Wilhelmina took her first boating trip and has been on – or under – the water ever since. “When I go boating with my husband and children, I do a lot of plein air which feeds into my paintings which I would describe as bold expressive landscapes. They are full of soul, with hidden treasures that reveal themselves the longer you look,” Wilhelmina explains.

Back in her home studio, underwater worlds flow from Wilhelmina’s brush. In Watergarden, the oil painting she will showcase in Handmark’s Affordable Art Exhibition, colour, movement and flowing flower-like forms hint at sea anemone and coral, drawing us into a paradise. Perhaps underwater. Perhaps imagined. “I want the viewer to make up their own story.”

But it is Wilhelmina’s colour that stands out above all else: “It’s the lifeblood of my paintings. I think about colour all the time. Let’s just say – my house is not all white!” With an artist mother, Wilhelmina grew up surrounded by creativity, and life as an artist was always her guiding star. Joining Handmark marks the next chapter in her story. “I am just over the moon.”

Accessible Art   —  Affordable Art Exhibition

Published 30 April 2026

Beautiful art is within reach. Make a diary note for Handmark’s Affordable Art Exhibition which showcases a curated selection of works by leading artists – and each priced under $5,000.
 
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “The Affordable Art Exhibition presents the ideal opportunity for anyone wishing to buy the first piece of art for their collection. This is the perfect chance to secure an original work by one of Tasmania’s top artists.”
 
All your favourite Handmark artists – including Junko Go, David Edgar, Peter Gouldthorpe, John Lendis, Sebastian Galloway and Luke Wagner – will be taking part in the exhibition. And in most cases, they will be presenting new works that have been created especially for the show.
 
You will also be delighted to know that every work purchased will be eligible for the Government’s Art Collect Scheme. In addition, the Tax Department is still giving a 100% write-off to any business who buys art to the value of $7,500. This creates a compelling moment to invest in art. Or, at the least take the chance to view the catalogue and see what’s on offer!
 
Handmark’s Affordable Art exhibition will run at the Gallery from May 22 until June 15.

rodney alexander – diaphanous

Published 30 April 2026

The beauty of Bach weaves through the luminous new paintings in Rodney Alexander’s Diaphanous exhibition – his first Handmark showing.
 
In Bach’s Partita, the delicate sounds of a solo violin float through the air. This is Rodney’s touchstone – but he replaces notes with layer upon layer of gossamer form, seemingly suspended in space. Set against an inky backdrop, these take on an otherworld luminosity: “I’m chasing the effect of light filtering through silk, or perhaps a petal. That soft, shifting glow as it bends around delicate forms,” Rodney explains.
 
The striking Tessuto, is one of Rodney’s large-scale oils on linen. Whisper-thin material in vibrant rainbow tones, billows in the ether. Three months in the making, the detail is extraordinary. But it’s the illumination that truly defines Rodney’s work. He uses translucent oil glazes, layering fine veils of colour so that light can penetrate and scatter between them.
 
A professional musician before turning his talents to art, it’s no surprise that Rodney brings a quiet lyricism to his practice. “Bach’s genius was creating the illusion of harmony within a single melodic line. This inspired me to create the illusion of three dimensions – even though I am only working on a two-dimensional surface.”
 
Rodney Alexander’s Diaphanous exhibition opens at Handmark on May 1 and runs until May 18

Artist’s Book Award  —  Olivia Moroney – Midlands Marvel

Published 30 April 2026

At just 34, Handmark artist Olivia Moroney has achieved a lifelong ambition: to have work in a prestigious Victorian collection alongside her heroine, pioneering printmaker, Jessica Traill.
 
“I just screamed,” Olivia says, recalling the moment she heard the news. Her artist’s book, 12 Months in the Midlands, had just been awarded the Fire Station Print Prize for Craftsmanship. And, most thrillingly, it has been acquired by the State Library of Victoria for a collection that includes works by Jessica Traill, one of Australia’s most significant print makers. “I am blown away that my artist’s book will be in the same room as works by Jessica.”
 
Olivia’s concertina artist’s book features drypoint etchings of 12 trees captured over the course of a year on her family property in the Southern Midlands. Rendered in black, the prints trace the seasonal rhythms. Each page holds a single tree as the months move from “winter’s starkness into spring’s promise, a dry and dusty summer and autumn’s turn of leaves.”
 
The judges praised Olivia’s work for its quiet, yet powerful, narrative: “A meditation in the form of trees across time, which is revealed as the concertina pages slowly turn.”

June Newsletter

Published 18 June 2026

In celebration of Dark Mofo, Handmark’s window displays have been transformed into a gothic extravaganza of red and black, courtesy of Handmark’s exhibition manager Fiona Tabart.

They also feature Dark Mofo inspired new works by two of our wonderful artists: glowing burl boxes crafted by Mark Bishop and vocal jewellery from Linda van Niekerk.

Meantime, Dark Mofo celebrations continue with our fabulous Nathan Grey exhibition, As It Is, opening Friday 19th June 5pm – 6:30pm. Nathan’s beautifully pared back paintings of the female form feature in this wonderfully eclectic show.

Hope you can join us.

Allanah Dopson
Director

upcoming exhibition — nathan grey – as it is

Published 18 June 2026

It’s his most eclectic show ever. Nathan Grey’s latest solo exhibition, As It Is, is a testament not only to his expansive artistic talent, but also his enduring belief in ‘art for art’s sake’.
About to turn 40, Nathan staged his first solo Handmark exhibition at the tender age of 24. Now, with more than a dozen exhibitions behind him, his artistic philosophy is clearer than ever. “I am a creative person, and I like creating nice things that look good. It’s as simple as that,” he says. Nathan achieves this in spades.

This collection of new works ranges from the striking hero piece: a large oil on linen celebrating the Year of the Horse that is alive with Prussian Blue, his new favourite colour. “This was an experiment. Something new,” Nathan explains. There are also delicate ink drawings and beautifully carved wooden bowls. The heart of the exhibition, however, returns to Nathan’s favourite subject: the human form.

Nathan’s figurative works depict real-life subjects. Painted onto plywood, the natural timber becomes part of the composition, lending an earthy warmth and beauty. “I believe in minimal mark-making and always pare back my paintings as much as possible, just enough for the viewer to understand the image. I keep it as simple as possible.”

Nathan Grey’s exhibition, As It Is, opens at Handmark on June 19, 2026 and runs until July 13, 2026.

vocal jewellery — linda van niekerk

Published 18 June 2026

Stunningly dramatic. Provocative yet playful. Tinged with humour. The jewellery of Linda van Niekerk always makes a bold statement, and her latest collection – released to coincide with Dark Mofo – is no exception.

MONA’s Elektra exhibition was Linda’s inspiration. “MONA always has something to say, and Elektra prompted me to vent at a world gone mad. Feelings of helplessness, hopelessness and anger at the status quo in almost every aspect of life,” Linda tells us. But she also adds a cheeky sense of humour. “I am really poking a bit of fun at all the insanity!” Protest with a smile.

Linda calls her collection Graffiti Pieces. Imagine long striking neckpieces in sterling silver, much of it anodised to dramatic effect. But look closely, and hidden messages emerge in bent metal: W.T.F, SOS and No, No, No. There are also pins that can be worn alone or added to create a personalised statement. “Have a good rage, vent your feelings with the help of vocal jewellery. It’s worth a try!”

But, if the angst is too much, Linda provides an antidote with calming amber. Neckpieces replete with chunks of ancient African amber: “Amber is thought to soothe anxiety, promote calm and positive energy, and support emotional balance. But it looks great as well.”

timber treasures — mark bishop – burl boxes

Published 18 June 2026

New timber boxes by Mark Bishop, one of Tasmania’s most celebrated furniture makers, are treasures to last a lifetime. But this collection also evokes imagery of Dark Mofo: glowing embers, blackened fire pits and the quiet drama of scorched timber.

These are works of art. Golden lids of twisted burl set upon blackened plinth-like containers. “Finding burl is like unearthing a diamond. Only one in a million trees has it,” Mark explains. Burl is a small tumour-like growth that forms on a tree when it is distressed. “Ironically, the prettiest timber comes from the ugliest trees. Trees that are contorted and twisted have the most interesting patterns, and I am honouring that disfigurement.”

The burl lids, with their extraordinary patterns shaped by nature, come from Mallee trees. The containers are crafted from scorched eucalyptus. “I burn the timber with an LPG gas burner, and the line between a wonderful finish and ash is very fine indeed!”

“Making boxes is an interesting exercise, and for this collection I have produced varying shapes and sizes with specific uses in mind. The long, narrow boxes are ideal for A4 documents, while the big square boxes are perfect for a bottle of whisky!”

May Newsletter

Published 18 May 2026

Our small island bristles with artistic talent, and we just unearthed another gem – abstract painter, Wilhelmina Burnell.

Wilhelmina, has just joined Handmark, bringing canvases that burst with colour and whimsy. Her work will feature in our Affordable Art Exhibition which opens this Friday.
All your favourite Handmark artists will feature in this exhibition where every work is priced under $5,000. To date, there are over 80 works!!!
That includes landscape painter, Luke Wagner, who has just been announced as a finalist in the Hadley’s Art Prize. Congratulations, Luke.

Take care, best regards
Allanah Dopson
Director

affordable art — handmark artists

Published 18 May 2026

ART is within reach. Handmark’s Affordable Art Exhibition brings together a curated collection of works by leading Handmark artists – with every piece priced under $5,000. From striking landscapes to contemporary abstraction, the exhibition offers something special for both new and established collectors.
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “This showing offers a wonderful opportunity for first-time buyers to begin their collection, while also giving seasoned collectors the chance to acquire artworks by emerging talent, or perhaps a piece by some of the island’s most respected artists.”
And, just in case any further incentive is needed, almost all works will be eligible for the Government’s Art Collect Scheme …
with the exception of a couple of our artists who live interstate or overseas.
If you have a business, the Australian Government is still offering 100% tax write-off on art purchases up to $20,000 – creating a compelling opportunity to invest in art.

Handmark’s Affordable Art Exhibition will run from May 22 to June 15.

new artist — wilhelmina burnell – joyful abstraction

Published 18 May 2026

Bright, bold and playful. The whimsical abstract paintings of emerging artist Wilhelmina Burnell, who has just joined Handmark, explode with joy. They also reflect her other great love – the waterways of lutruwita/Tasmania.

After just two weeks in this world, Wilhelmina took her first boating trip and has been on – or under – the water ever since. “When I go boating with my husband and children, I do a lot of plein air which feeds into my paintings which I would describe as bold expressive landscapes. They are full of soul, with hidden treasures that reveal themselves the longer you look,” Wilhelmina explains.

Back in her home studio, underwater worlds flow from Wilhelmina’s brush. In Watergarden, the oil painting she will showcase in Handmark’s Affordable Art Exhibition, colour, movement and flowing flower-like forms hint at sea anemone and coral, drawing us into a paradise. Perhaps underwater. Perhaps imagined. “I want the viewer to make up their own story.”

But it is Wilhelmina’s colour that stands out above all else: “It’s the lifeblood of my paintings. I think about colour all the time. Let’s just say – my house is not all white!” With an artist mother, Wilhelmina grew up surrounded by creativity, and life as an artist was always her guiding star. Joining Handmark marks the next chapter in her story. “I am just over the moon.”

Accessible Art   —  Affordable Art Exhibition

Published 30 April 2026

Beautiful art is within reach. Make a diary note for Handmark’s Affordable Art Exhibition which showcases a curated selection of works by leading artists – and each priced under $5,000.
 
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “The Affordable Art Exhibition presents the ideal opportunity for anyone wishing to buy the first piece of art for their collection. This is the perfect chance to secure an original work by one of Tasmania’s top artists.”
 
All your favourite Handmark artists – including Junko Go, David Edgar, Peter Gouldthorpe, John Lendis, Sebastian Galloway and Luke Wagner – will be taking part in the exhibition. And in most cases, they will be presenting new works that have been created especially for the show.
 
You will also be delighted to know that every work purchased will be eligible for the Government’s Art Collect Scheme. In addition, the Tax Department is still giving a 100% write-off to any business who buys art to the value of $7,500. This creates a compelling moment to invest in art. Or, at the least take the chance to view the catalogue and see what’s on offer!
 
Handmark’s Affordable Art exhibition will run at the Gallery from May 22 until June 15.

rodney alexander – diaphanous

Published 30 April 2026

The beauty of Bach weaves through the luminous new paintings in Rodney Alexander’s Diaphanous exhibition – his first Handmark showing.
 
In Bach’s Partita, the delicate sounds of a solo violin float through the air. This is Rodney’s touchstone – but he replaces notes with layer upon layer of gossamer form, seemingly suspended in space. Set against an inky backdrop, these take on an otherworld luminosity: “I’m chasing the effect of light filtering through silk, or perhaps a petal. That soft, shifting glow as it bends around delicate forms,” Rodney explains.
 
The striking Tessuto, is one of Rodney’s large-scale oils on linen. Whisper-thin material in vibrant rainbow tones, billows in the ether. Three months in the making, the detail is extraordinary. But it’s the illumination that truly defines Rodney’s work. He uses translucent oil glazes, layering fine veils of colour so that light can penetrate and scatter between them.
 
A professional musician before turning his talents to art, it’s no surprise that Rodney brings a quiet lyricism to his practice. “Bach’s genius was creating the illusion of harmony within a single melodic line. This inspired me to create the illusion of three dimensions – even though I am only working on a two-dimensional surface.”
 
Rodney Alexander’s Diaphanous exhibition opens at Handmark on May 1 and runs until May 18

Artist’s Book Award  —  Olivia Moroney – Midlands Marvel

Published 30 April 2026

At just 34, Handmark artist Olivia Moroney has achieved a lifelong ambition: to have work in a prestigious Victorian collection alongside her heroine, pioneering printmaker, Jessica Traill.
 
“I just screamed,” Olivia says, recalling the moment she heard the news. Her artist’s book, 12 Months in the Midlands, had just been awarded the Fire Station Print Prize for Craftsmanship. And, most thrillingly, it has been acquired by the State Library of Victoria for a collection that includes works by Jessica Traill, one of Australia’s most significant print makers. “I am blown away that my artist’s book will be in the same room as works by Jessica.”
 
Olivia’s concertina artist’s book features drypoint etchings of 12 trees captured over the course of a year on her family property in the Southern Midlands. Rendered in black, the prints trace the seasonal rhythms. Each page holds a single tree as the months move from “winter’s starkness into spring’s promise, a dry and dusty summer and autumn’s turn of leaves.”
 
The judges praised Olivia’s work for its quiet, yet powerful, narrative: “A meditation in the form of trees across time, which is revealed as the concertina pages slowly turn.”

June Newsletter

Published 18 June 2026

In celebration of Dark Mofo, Handmark’s window displays have been transformed into a gothic extravaganza of red and black, courtesy of Handmark’s exhibition manager Fiona Tabart.

They also feature Dark Mofo inspired new works by two of our wonderful artists: glowing burl boxes crafted by Mark Bishop and vocal jewellery from Linda van Niekerk.

Meantime, Dark Mofo celebrations continue with our fabulous Nathan Grey exhibition, As It Is, opening Friday 19th June 5pm – 6:30pm. Nathan’s beautifully pared back paintings of the female form feature in this wonderfully eclectic show.

Hope you can join us.

Allanah Dopson
Director

upcoming exhibition — nathan grey – as it is

Published 18 June 2026

It’s his most eclectic show ever. Nathan Grey’s latest solo exhibition, As It Is, is a testament not only to his expansive artistic talent, but also his enduring belief in ‘art for art’s sake’.
About to turn 40, Nathan staged his first solo Handmark exhibition at the tender age of 24. Now, with more than a dozen exhibitions behind him, his artistic philosophy is clearer than ever. “I am a creative person, and I like creating nice things that look good. It’s as simple as that,” he says. Nathan achieves this in spades.

This collection of new works ranges from the striking hero piece: a large oil on linen celebrating the Year of the Horse that is alive with Prussian Blue, his new favourite colour. “This was an experiment. Something new,” Nathan explains. There are also delicate ink drawings and beautifully carved wooden bowls. The heart of the exhibition, however, returns to Nathan’s favourite subject: the human form.

Nathan’s figurative works depict real-life subjects. Painted onto plywood, the natural timber becomes part of the composition, lending an earthy warmth and beauty. “I believe in minimal mark-making and always pare back my paintings as much as possible, just enough for the viewer to understand the image. I keep it as simple as possible.”

Nathan Grey’s exhibition, As It Is, opens at Handmark on June 19, 2026 and runs until July 13, 2026.

vocal jewellery — linda van niekerk

Published 18 June 2026

Stunningly dramatic. Provocative yet playful. Tinged with humour. The jewellery of Linda van Niekerk always makes a bold statement, and her latest collection – released to coincide with Dark Mofo – is no exception.

MONA’s Elektra exhibition was Linda’s inspiration. “MONA always has something to say, and Elektra prompted me to vent at a world gone mad. Feelings of helplessness, hopelessness and anger at the status quo in almost every aspect of life,” Linda tells us. But she also adds a cheeky sense of humour. “I am really poking a bit of fun at all the insanity!” Protest with a smile.

Linda calls her collection Graffiti Pieces. Imagine long striking neckpieces in sterling silver, much of it anodised to dramatic effect. But look closely, and hidden messages emerge in bent metal: W.T.F, SOS and No, No, No. There are also pins that can be worn alone or added to create a personalised statement. “Have a good rage, vent your feelings with the help of vocal jewellery. It’s worth a try!”

But, if the angst is too much, Linda provides an antidote with calming amber. Neckpieces replete with chunks of ancient African amber: “Amber is thought to soothe anxiety, promote calm and positive energy, and support emotional balance. But it looks great as well.”

timber treasures — mark bishop – burl boxes

Published 18 June 2026

New timber boxes by Mark Bishop, one of Tasmania’s most celebrated furniture makers, are treasures to last a lifetime. But this collection also evokes imagery of Dark Mofo: glowing embers, blackened fire pits and the quiet drama of scorched timber.

These are works of art. Golden lids of twisted burl set upon blackened plinth-like containers. “Finding burl is like unearthing a diamond. Only one in a million trees has it,” Mark explains. Burl is a small tumour-like growth that forms on a tree when it is distressed. “Ironically, the prettiest timber comes from the ugliest trees. Trees that are contorted and twisted have the most interesting patterns, and I am honouring that disfigurement.”

The burl lids, with their extraordinary patterns shaped by nature, come from Mallee trees. The containers are crafted from scorched eucalyptus. “I burn the timber with an LPG gas burner, and the line between a wonderful finish and ash is very fine indeed!”

“Making boxes is an interesting exercise, and for this collection I have produced varying shapes and sizes with specific uses in mind. The long, narrow boxes are ideal for A4 documents, while the big square boxes are perfect for a bottle of whisky!”

May Newsletter

Published 18 May 2026

Our small island bristles with artistic talent, and we just unearthed another gem – abstract painter, Wilhelmina Burnell.

Wilhelmina, has just joined Handmark, bringing canvases that burst with colour and whimsy. Her work will feature in our Affordable Art Exhibition which opens this Friday.
All your favourite Handmark artists will feature in this exhibition where every work is priced under $5,000. To date, there are over 80 works!!!
That includes landscape painter, Luke Wagner, who has just been announced as a finalist in the Hadley’s Art Prize. Congratulations, Luke.

Take care, best regards
Allanah Dopson
Director

affordable art — handmark artists

Published 18 May 2026

ART is within reach. Handmark’s Affordable Art Exhibition brings together a curated collection of works by leading Handmark artists – with every piece priced under $5,000. From striking landscapes to contemporary abstraction, the exhibition offers something special for both new and established collectors.
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “This showing offers a wonderful opportunity for first-time buyers to begin their collection, while also giving seasoned collectors the chance to acquire artworks by emerging talent, or perhaps a piece by some of the island’s most respected artists.”
And, just in case any further incentive is needed, almost all works will be eligible for the Government’s Art Collect Scheme …
with the exception of a couple of our artists who live interstate or overseas.
If you have a business, the Australian Government is still offering 100% tax write-off on art purchases up to $20,000 – creating a compelling opportunity to invest in art.

Handmark’s Affordable Art Exhibition will run from May 22 to June 15.

new artist — wilhelmina burnell – joyful abstraction

Published 18 May 2026

Bright, bold and playful. The whimsical abstract paintings of emerging artist Wilhelmina Burnell, who has just joined Handmark, explode with joy. They also reflect her other great love – the waterways of lutruwita/Tasmania.

After just two weeks in this world, Wilhelmina took her first boating trip and has been on – or under – the water ever since. “When I go boating with my husband and children, I do a lot of plein air which feeds into my paintings which I would describe as bold expressive landscapes. They are full of soul, with hidden treasures that reveal themselves the longer you look,” Wilhelmina explains.

Back in her home studio, underwater worlds flow from Wilhelmina’s brush. In Watergarden, the oil painting she will showcase in Handmark’s Affordable Art Exhibition, colour, movement and flowing flower-like forms hint at sea anemone and coral, drawing us into a paradise. Perhaps underwater. Perhaps imagined. “I want the viewer to make up their own story.”

But it is Wilhelmina’s colour that stands out above all else: “It’s the lifeblood of my paintings. I think about colour all the time. Let’s just say – my house is not all white!” With an artist mother, Wilhelmina grew up surrounded by creativity, and life as an artist was always her guiding star. Joining Handmark marks the next chapter in her story. “I am just over the moon.”

Accessible Art   —  Affordable Art Exhibition

Published 30 April 2026

Beautiful art is within reach. Make a diary note for Handmark’s Affordable Art Exhibition which showcases a curated selection of works by leading artists – and each priced under $5,000.
 
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “The Affordable Art Exhibition presents the ideal opportunity for anyone wishing to buy the first piece of art for their collection. This is the perfect chance to secure an original work by one of Tasmania’s top artists.”
 
All your favourite Handmark artists – including Junko Go, David Edgar, Peter Gouldthorpe, John Lendis, Sebastian Galloway and Luke Wagner – will be taking part in the exhibition. And in most cases, they will be presenting new works that have been created especially for the show.
 
You will also be delighted to know that every work purchased will be eligible for the Government’s Art Collect Scheme. In addition, the Tax Department is still giving a 100% write-off to any business who buys art to the value of $7,500. This creates a compelling moment to invest in art. Or, at the least take the chance to view the catalogue and see what’s on offer!
 
Handmark’s Affordable Art exhibition will run at the Gallery from May 22 until June 15.

rodney alexander – diaphanous

Published 30 April 2026

The beauty of Bach weaves through the luminous new paintings in Rodney Alexander’s Diaphanous exhibition – his first Handmark showing.
 
In Bach’s Partita, the delicate sounds of a solo violin float through the air. This is Rodney’s touchstone – but he replaces notes with layer upon layer of gossamer form, seemingly suspended in space. Set against an inky backdrop, these take on an otherworld luminosity: “I’m chasing the effect of light filtering through silk, or perhaps a petal. That soft, shifting glow as it bends around delicate forms,” Rodney explains.
 
The striking Tessuto, is one of Rodney’s large-scale oils on linen. Whisper-thin material in vibrant rainbow tones, billows in the ether. Three months in the making, the detail is extraordinary. But it’s the illumination that truly defines Rodney’s work. He uses translucent oil glazes, layering fine veils of colour so that light can penetrate and scatter between them.
 
A professional musician before turning his talents to art, it’s no surprise that Rodney brings a quiet lyricism to his practice. “Bach’s genius was creating the illusion of harmony within a single melodic line. This inspired me to create the illusion of three dimensions – even though I am only working on a two-dimensional surface.”
 
Rodney Alexander’s Diaphanous exhibition opens at Handmark on May 1 and runs until May 18

Artist’s Book Award  —  Olivia Moroney – Midlands Marvel

Published 30 April 2026

At just 34, Handmark artist Olivia Moroney has achieved a lifelong ambition: to have work in a prestigious Victorian collection alongside her heroine, pioneering printmaker, Jessica Traill.
 
“I just screamed,” Olivia says, recalling the moment she heard the news. Her artist’s book, 12 Months in the Midlands, had just been awarded the Fire Station Print Prize for Craftsmanship. And, most thrillingly, it has been acquired by the State Library of Victoria for a collection that includes works by Jessica Traill, one of Australia’s most significant print makers. “I am blown away that my artist’s book will be in the same room as works by Jessica.”
 
Olivia’s concertina artist’s book features drypoint etchings of 12 trees captured over the course of a year on her family property in the Southern Midlands. Rendered in black, the prints trace the seasonal rhythms. Each page holds a single tree as the months move from “winter’s starkness into spring’s promise, a dry and dusty summer and autumn’s turn of leaves.”
 
The judges praised Olivia’s work for its quiet, yet powerful, narrative: “A meditation in the form of trees across time, which is revealed as the concertina pages slowly turn.”

June Newsletter

Published 18 June 2026

In celebration of Dark Mofo, Handmark’s window displays have been transformed into a gothic extravaganza of red and black, courtesy of Handmark’s exhibition manager Fiona Tabart.

They also feature Dark Mofo inspired new works by two of our wonderful artists: glowing burl boxes crafted by Mark Bishop and vocal jewellery from Linda van Niekerk.

Meantime, Dark Mofo celebrations continue with our fabulous Nathan Grey exhibition, As It Is, opening Friday 19th June 5pm – 6:30pm. Nathan’s beautifully pared back paintings of the female form feature in this wonderfully eclectic show.

Hope you can join us.

Allanah Dopson
Director

upcoming exhibition — nathan grey – as it is

Published 18 June 2026

It’s his most eclectic show ever. Nathan Grey’s latest solo exhibition, As It Is, is a testament not only to his expansive artistic talent, but also his enduring belief in ‘art for art’s sake’.
About to turn 40, Nathan staged his first solo Handmark exhibition at the tender age of 24. Now, with more than a dozen exhibitions behind him, his artistic philosophy is clearer than ever. “I am a creative person, and I like creating nice things that look good. It’s as simple as that,” he says. Nathan achieves this in spades.

This collection of new works ranges from the striking hero piece: a large oil on linen celebrating the Year of the Horse that is alive with Prussian Blue, his new favourite colour. “This was an experiment. Something new,” Nathan explains. There are also delicate ink drawings and beautifully carved wooden bowls. The heart of the exhibition, however, returns to Nathan’s favourite subject: the human form.

Nathan’s figurative works depict real-life subjects. Painted onto plywood, the natural timber becomes part of the composition, lending an earthy warmth and beauty. “I believe in minimal mark-making and always pare back my paintings as much as possible, just enough for the viewer to understand the image. I keep it as simple as possible.”

Nathan Grey’s exhibition, As It Is, opens at Handmark on June 19, 2026 and runs until July 13, 2026.

vocal jewellery — linda van niekerk

Published 18 June 2026

Stunningly dramatic. Provocative yet playful. Tinged with humour. The jewellery of Linda van Niekerk always makes a bold statement, and her latest collection – released to coincide with Dark Mofo – is no exception.

MONA’s Elektra exhibition was Linda’s inspiration. “MONA always has something to say, and Elektra prompted me to vent at a world gone mad. Feelings of helplessness, hopelessness and anger at the status quo in almost every aspect of life,” Linda tells us. But she also adds a cheeky sense of humour. “I am really poking a bit of fun at all the insanity!” Protest with a smile.

Linda calls her collection Graffiti Pieces. Imagine long striking neckpieces in sterling silver, much of it anodised to dramatic effect. But look closely, and hidden messages emerge in bent metal: W.T.F, SOS and No, No, No. There are also pins that can be worn alone or added to create a personalised statement. “Have a good rage, vent your feelings with the help of vocal jewellery. It’s worth a try!”

But, if the angst is too much, Linda provides an antidote with calming amber. Neckpieces replete with chunks of ancient African amber: “Amber is thought to soothe anxiety, promote calm and positive energy, and support emotional balance. But it looks great as well.”

timber treasures — mark bishop – burl boxes

Published 18 June 2026

New timber boxes by Mark Bishop, one of Tasmania’s most celebrated furniture makers, are treasures to last a lifetime. But this collection also evokes imagery of Dark Mofo: glowing embers, blackened fire pits and the quiet drama of scorched timber.

These are works of art. Golden lids of twisted burl set upon blackened plinth-like containers. “Finding burl is like unearthing a diamond. Only one in a million trees has it,” Mark explains. Burl is a small tumour-like growth that forms on a tree when it is distressed. “Ironically, the prettiest timber comes from the ugliest trees. Trees that are contorted and twisted have the most interesting patterns, and I am honouring that disfigurement.”

The burl lids, with their extraordinary patterns shaped by nature, come from Mallee trees. The containers are crafted from scorched eucalyptus. “I burn the timber with an LPG gas burner, and the line between a wonderful finish and ash is very fine indeed!”

“Making boxes is an interesting exercise, and for this collection I have produced varying shapes and sizes with specific uses in mind. The long, narrow boxes are ideal for A4 documents, while the big square boxes are perfect for a bottle of whisky!”

May Newsletter

Published 18 May 2026

Our small island bristles with artistic talent, and we just unearthed another gem – abstract painter, Wilhelmina Burnell.

Wilhelmina, has just joined Handmark, bringing canvases that burst with colour and whimsy. Her work will feature in our Affordable Art Exhibition which opens this Friday.
All your favourite Handmark artists will feature in this exhibition where every work is priced under $5,000. To date, there are over 80 works!!!
That includes landscape painter, Luke Wagner, who has just been announced as a finalist in the Hadley’s Art Prize. Congratulations, Luke.

Take care, best regards
Allanah Dopson
Director

affordable art — handmark artists

Published 18 May 2026

ART is within reach. Handmark’s Affordable Art Exhibition brings together a curated collection of works by leading Handmark artists – with every piece priced under $5,000. From striking landscapes to contemporary abstraction, the exhibition offers something special for both new and established collectors.
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “This showing offers a wonderful opportunity for first-time buyers to begin their collection, while also giving seasoned collectors the chance to acquire artworks by emerging talent, or perhaps a piece by some of the island’s most respected artists.”
And, just in case any further incentive is needed, almost all works will be eligible for the Government’s Art Collect Scheme …
with the exception of a couple of our artists who live interstate or overseas.
If you have a business, the Australian Government is still offering 100% tax write-off on art purchases up to $20,000 – creating a compelling opportunity to invest in art.

Handmark’s Affordable Art Exhibition will run from May 22 to June 15.

new artist — wilhelmina burnell – joyful abstraction

Published 18 May 2026

Bright, bold and playful. The whimsical abstract paintings of emerging artist Wilhelmina Burnell, who has just joined Handmark, explode with joy. They also reflect her other great love – the waterways of lutruwita/Tasmania.

After just two weeks in this world, Wilhelmina took her first boating trip and has been on – or under – the water ever since. “When I go boating with my husband and children, I do a lot of plein air which feeds into my paintings which I would describe as bold expressive landscapes. They are full of soul, with hidden treasures that reveal themselves the longer you look,” Wilhelmina explains.

Back in her home studio, underwater worlds flow from Wilhelmina’s brush. In Watergarden, the oil painting she will showcase in Handmark’s Affordable Art Exhibition, colour, movement and flowing flower-like forms hint at sea anemone and coral, drawing us into a paradise. Perhaps underwater. Perhaps imagined. “I want the viewer to make up their own story.”

But it is Wilhelmina’s colour that stands out above all else: “It’s the lifeblood of my paintings. I think about colour all the time. Let’s just say – my house is not all white!” With an artist mother, Wilhelmina grew up surrounded by creativity, and life as an artist was always her guiding star. Joining Handmark marks the next chapter in her story. “I am just over the moon.”

Accessible Art   —  Affordable Art Exhibition

Published 30 April 2026

Beautiful art is within reach. Make a diary note for Handmark’s Affordable Art Exhibition which showcases a curated selection of works by leading artists – and each priced under $5,000.
 
“Our mission is to make art accessible,” Handmark Director Allanah Dopson explains. “The Affordable Art Exhibition presents the ideal opportunity for anyone wishing to buy the first piece of art for their collection. This is the perfect chance to secure an original work by one of Tasmania’s top artists.”
 
All your favourite Handmark artists – including Junko Go, David Edgar, Peter Gouldthorpe, John Lendis, Sebastian Galloway and Luke Wagner – will be taking part in the exhibition. And in most cases, they will be presenting new works that have been created especially for the show.
 
You will also be delighted to know that every work purchased will be eligible for the Government’s Art Collect Scheme. In addition, the Tax Department is still giving a 100% write-off to any business who buys art to the value of $7,500. This creates a compelling moment to invest in art. Or, at the least take the chance to view the catalogue and see what’s on offer!
 
Handmark’s Affordable Art exhibition will run at the Gallery from May 22 until June 15.

rodney alexander – diaphanous

Published 30 April 2026

The beauty of Bach weaves through the luminous new paintings in Rodney Alexander’s Diaphanous exhibition – his first Handmark showing.
 
In Bach’s Partita, the delicate sounds of a solo violin float through the air. This is Rodney’s touchstone – but he replaces notes with layer upon layer of gossamer form, seemingly suspended in space. Set against an inky backdrop, these take on an otherworld luminosity: “I’m chasing the effect of light filtering through silk, or perhaps a petal. That soft, shifting glow as it bends around delicate forms,” Rodney explains.
 
The striking Tessuto, is one of Rodney’s large-scale oils on linen. Whisper-thin material in vibrant rainbow tones, billows in the ether. Three months in the making, the detail is extraordinary. But it’s the illumination that truly defines Rodney’s work. He uses translucent oil glazes, layering fine veils of colour so that light can penetrate and scatter between them.
 
A professional musician before turning his talents to art, it’s no surprise that Rodney brings a quiet lyricism to his practice. “Bach’s genius was creating the illusion of harmony within a single melodic line. This inspired me to create the illusion of three dimensions – even though I am only working on a two-dimensional surface.”
 
Rodney Alexander’s Diaphanous exhibition opens at Handmark on May 1 and runs until May 18

Artist’s Book Award  —  Olivia Moroney – Midlands Marvel

Published 30 April 2026

At just 34, Handmark artist Olivia Moroney has achieved a lifelong ambition: to have work in a prestigious Victorian collection alongside her heroine, pioneering printmaker, Jessica Traill.
 
“I just screamed,” Olivia says, recalling the moment she heard the news. Her artist’s book, 12 Months in the Midlands, had just been awarded the Fire Station Print Prize for Craftsmanship. And, most thrillingly, it has been acquired by the State Library of Victoria for a collection that includes works by Jessica Traill, one of Australia’s most significant print makers. “I am blown away that my artist’s book will be in the same room as works by Jessica.”
 
Olivia’s concertina artist’s book features drypoint etchings of 12 trees captured over the course of a year on her family property in the Southern Midlands. Rendered in black, the prints trace the seasonal rhythms. Each page holds a single tree as the months move from “winter’s starkness into spring’s promise, a dry and dusty summer and autumn’s turn of leaves.”
 
The judges praised Olivia’s work for its quiet, yet powerful, narrative: “A meditation in the form of trees across time, which is revealed as the concertina pages slowly turn.”